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  • 學位論文

以認知神經學觀點解析演繹空間之構成表現

Analysis of the Space of Performance and Construction with Cognition Neuroscience.

指導教授 : 陳文亮
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摘要


空間存在著許多形式,思維想法上,它可以是人類情感的一種投射;視覺層次上,其是具深度感知的三維象限單元體。而在強調跨領域學習的時代中,透過對於認知神經學(Cognitive Neuroscience)觀點的分析與探討,藉此作為一個概念與媒介,在對於空間形體構成的認知、和對藝術創作美學的感知上,有更進一步的印證與連結。 以認知神經科學領域對於心智產生於大腦之論證的前提下,提出本論文對於視覺腦與美學體驗上之關聯的假設:大腦具有特殊處理空間視覺美學訊息之運作機制。希望透過不同領域對於平面視覺藝術作品上之解析和了解,進而探討及演繹認知神經科學觀點在三維空間中之構成與表現。主要研究方法為文獻探討、案例分析及空間操作模擬;主要研究結果為延伸探討空間表現之1.「局部」與「全部」2.空間「模糊性」3.空間「動態性」,並在位於北京的商辦中心基地中,以一複合式藝文交流平台空間設計作為本設計論文最終之成果呈現。

並列摘要


From our daily lives, we often had the indescribable sensory experiences toward architecture, sculpture, fine art, design and any kind of creation which is related to art. In the perspective of science, scientists are trying to find out a systematical operating mechanism to explain this indecipherable perception. In short, in this changeable world, not only brains can filter the unchanged element and extract it from the brains, but artists can discover the unchanged spirit and value through their own works. Cognitive Neuroscience is one of the opening gate for us to explore the mysterious connection between brain and mind. The operating mechanism of brain not only determines the way we recognize the world, but also helps us to gain more abundant aesthetic satisfaction and experience through viewing certain subjects. Under the premise that the argument of brains generating mind in cognitive neuroscience is tenable, I propose a hypothesis of the relation between visual brain and aesthetic experience: There is an operating mechanism which is responsible for delivering messages of dimensional visual aesthetics. Through analyzing the different comprehensions of visual artworks from people in different fields, I will further discuss the formation and performance in the threedimensional space by adopting the perspective of cognitive neuroscience. The main research methods are literature review, case study and space operations simulation. The main purposes of the research are for discussing 1. The “partial” and “overall” spatial performance 2. The “boundary and ambiguousness” of the space 3. The “dynamic” of the space. The final results of this paper will be presented in the form of a composite exchange platform for spatial design at the commercial center in Beijing.

並列關鍵字

brain mind cognitive neuroscience visual art

參考文獻


邵唯晏(2016),《當代建築的逆襲》,台北:城邦文化事業股份有限公司。
李琦華(2007),〈台灣聚落的空間型構法則分析〉,中華民國建築學會「建築學報」第6
沈耿立(2011),〈應用繪畫──俄國至上主義與構成主義的圖像延異〉,造形藝術學刊,第
汪瑜菁(2007),〈非具象藝術作品的情感傳達——論Rothko Chapel 作品〉,議藝份子,第
陳瀚凱(2003),〈漩渦造型之象徵意義與其在視覺動勢上的應用創作研究〉,中原大學商

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