籤詩圖像創作之插畫表現—以台灣省城隍廟六十甲子籤為例

東方社會流傳著「求籤」這項民俗信仰，人們信奉著天上的神祇，在苦難來臨時透過燒香、擲筊的儀式獲得心靈上的指引。籤詩文本採用近代詩文體，詩句中所隱含的艱澀文辭，無形中也化為神祇與信眾之間的阻礙。因此，希望藉由建構籤詩文本的圖像化型態，使求籤者在探索的過程中更易於獲得開示。本創作研究運用文獻分析法，借助大量的歷史文本闡發每首籤詩所傳達的內涵。再以田野調查法，探訪台灣省城隍廟現代現況以及廟方的籤詩文化，並以「插畫」作為表現手法，將六十甲子籤詩的解占結果進行圖像化建構，使古老的籤詩文化擁有新時代價值的傳播模式，開拓出當代風格的新風貌。

關鍵字

籤詩；插畫；符號學

並列摘要

To this day, the folk belief of "asking for a visa" still circulates in Eastern society, and people believe in the gods of heaven and obtain spiritual guidance through the ritual of burning incense and throwing a raft when suffering comes. The signed poems adopt the modern poetic style, and the difficult words implied in the verses have invisibly become an obstacle between the gods and the faithful. Therefore, it is hoped that by constructing the pictorial form of the signed poem text, it will be easier for the signatory to obtain enlightenment in the process of exploration. This research uses the method of literature analysis to illustrate the connotation conveyed by each signed poem with the help of a large number of historical texts. Then, using the fieldwork method, we will explore the modern situation of the City God Temple in Taiwan Province and the poetry signing culture of the temple, and use "illustration" as an expression method to visualize the results of the disapproval of the 60 Koshiko signed poems, so that the ancient signed poetry culture has a new era value transmission mode and open up a new trend of contemporary style.