「情境法」(scenario)應用於設計過程中,有如篩子、濾網般,能透過應用模擬,檢視設計考量,減低盲點,能提高設計品質、降低缺失之效果。透過相關文獻發現,室內設計對此類方法之應用仍有調整、探索之空間,如,僅以文字敘述式的模擬、僅針對應用對象的局部時間片段進行模擬檢視。此外,提到劇本或情境,容易落入一如電影劇本、分鏡圖之結果;於室內設計上應有區別,尤其是顧及時間、使用者、活動之多重考量周延性。基於此,本研究分成三個階段之研究過程,提出「多重情境法」(multiple scenario):(一)情境法之相關研究回顧與議題論述,(二)劇本與分鏡之相關案例分析,(三)情境繪圖之議題與表現法討論。其後,得到以下結論:(一)此法可較透徹檢視使用者行為,藉由細部的分鏡動作,做更詳細的檢視,(二)為協助設計者如何透過本法建議之過程,掌握多重設計之構面,(三)充分運用此法,或可彌補設計者考量不足之設計思維。
“Scenario” is used in the process of designing, like a sieve or filter, which enables inspection of designs, reduces blind spots and also increasing the quality of design while minimizing the defects through application of simulation. Through relevant references, it can be known that there is room for adjustment and exploration for applications of such method in the field of interior design. For example, performing a narrative simulated inspection on only partial time fragments of selected objects. Besides that, when mentioning scripts or scenarios, it is easy to relate to movie scripts or storyboards, which should be different in interior designing, especially where time, users and distributions of activities were taken into consideration. Based on points above, this research will be divided into three research process stages, proposing the “multiple scenario”: (1) Reviews of researches and discussions related to scenario. (2) Analyzation of case studies related to scripts and storyboards. (3) Discussion of issues about situational illustration and presentations. Thereafter coming to the following conclusions: (1) This method enables a more thorough inspection of the user’s behavior, having a more detailed inspection through detailed storyboarding. (2) To assist designers to grasp multiple aspects of design with processes suggested by this method. (3) Full utilization of this method might be able to make up for insufficiencies in design thinking.