特色旅店與相鄰文化資產環境的創新設計

建築設計不是單純的展現個人設計慾望或美學素養、而是，如何在單純的歷史風貌中，學習與在地環境融合。本人更幸而於2017年接獲一件影響我深遠的案子，座落在台北，在傳承百年歷史文化的龍山寺旁，在本人與境觀團隊接受委託設計文舺行旅時，已經是一間殘舊不堪的老旅社。我幾經深思，決定以「謙卑的驛站」為設計精神的主軸，要能和歷史古蹟等齊，讓大眾能帶著景仰的態度欣賞歷史古蹟，這是在。而近年來，觀光產業大幅成長，政府也對於台灣觀光旅遊大力宣傳，隨著自由行旅客越來越多，因而特色旅店也因此快速發展。隨著全球旅遊行為模式的改變，旅客喜歡深度旅遊自由行的也越來越多了，因此，「旅館」，不再是被當成過渡空間而已，旅館该結合在地人文與風俗民情，讓旅客透過旅館體驗到在地的生活，讓旅客留下對在地眷戀而願意再次來造訪。基於以上的原由，本研究旨在探討個案旅店-文舺行旅，更研究如何結合觀光資源去活化閒置空間，從室內設計的角度剖析地域性與人文等特殊性，並完整記錄其設計之過程與精神。鼓勵舊建物的重新設計，不只是一種創新的建築規劃，也是設計師想透過設計去為大眾實踐更多可能性的生活價值觀；藉由舊有空間的再規劃，去調整與滿足人們在生活與文化上的需要；更深遠的意義是：我們希望讓舊建物重新被設計，因而可能刺激並產生在地的新產業與新生機，而這種新設計施行在舊空間的建構活動，本身就是新文化經驗的具體形式。最後，我期許，我們臺灣在老建築進行新設計的研究與實行上，能有讓世界都矚目的成就，因而刺激臺灣相關的旅遊商機。我謙卑期許這份研究，或許能為此奉上小小的助力。

關鍵字

特色旅店；文化資產；舊建築再利用

並列摘要

Architectural design is not solely the display of personal designing taste or aesthetic literacy,but how to integrate with the local environment in a simple historical style. fortunate to participate in a project that affected me significantly in 2017. The subject of the project was located in Taipei, next to the Longshan Temple, which had inherited centuries of history and culture. At first when the landscape team and I were commissioned by to design for Monka Hotel, it was already a deserted, insignificant and old hostel. In recent years, the tourism industry has experienced growth substantially, and the government has also actively promoted Taiwan's sightseeing and tourism. With the increasing number of self-guided travelers, so is the number of the featured hotels. With the change of global travel behavior patterns, travelers prefer more and more in-depth traveling experience. Therefore, the “hotel” is no longer regarded as a transitional space, but further, combine local humanities and customs context to allow travelers to experience local life style within the space of the hotel in person, giving them good impression of the locals and increasing their willingness to visit again. Based on the above aspects, this study aims to explore the case of Monka Hotel to see how to combine the tourism resources to activate the deserted spaces, analyze the particularity of regional and humanities from the perspective of interior design, and comprehensively record the design process and the adopted spirit. Encouraging the redesign of old buildings is not only for innovative architectural planning, but also a life value that designers intend to practice and realize more possibilities for the public via the approach of designing, and further, re-plan old spaces to adjust and satisfy people's living and cultural needs, and the deepest and most core object, which is redesigning old buildings to stimulate and generate new local industries and vitality. For that, this new design is implemented in the old space, where itself is the specific form of implementation of new cultural experience. Finally, I hope that our research and practice of new designs in Taiwan’s old buildings will achieve significant achievements at the global level, thus stimulating tourism business opportunities for Taiwan. I humbly wish that this study would be able to provide some boost for achieving such goal.