台日韓戲劇女性角色之創造

The Creation of Female Role in Taiwanese, Japanese and Korean Drama

王舒凡(Shu-Fan Wang)

指導教授 ： 林瓊菱

中原大學/商學院/國際商學碩士學位學程/碩士(2015年)

https://doi.org/10.6840/cycu201500554

摘要

圖媒傳播是呈現社會現實的縮影(Anderson and Imperia, 1992；Rosalind, 2007；Oró-Piqueras ,2014),近年來則是透過戲劇來表達對現實的不滿以及未來社會的崇景(Rosalind, 2007)。本研究主要以探討「台日韓三國戲劇中，女性角色的轉變」為主要研究方向，以戲劇類女性角色為分析對象，分析戲劇類型以及女性角色特質與該國的社會發展程度之相關連，以及戲劇中女性角色的演變與國家女權之相關性。藉以描述與探討國家法展程度與角色多樣性之間的關聯性。
女性角色的發展與以下三點密切相關：○1女性知識水準 ○2國家發展政策 ○3女性職業的多樣化 (Rosalind, 2007 )。本研究由以上這三點的背景使用內容分析法以及交叉分析來探討：戲劇類型與國家發展程度之間的關係、戲劇中女性角色裝扮與國家發展程度之間的關係以及近代女性地位轉變後，美麗與能力之相關連。

最後我們藉由討論法國心理學家Lacan (1936) 提出的「鏡像理論」及Thorndike(1920)提出「社會智能」得出結論：日本的戲劇較符合現實生活；韓國的戲劇較崇尚權貴與慾望，充滿階級幻想；台灣的戲劇則是混和多種元素沒有一致性，雜亂無章。因此我們可以說國家發展程度越高的國家，其戲劇角色會越貼近現實生活，其戲劇中的角色也較具有多樣性。

關鍵字

戲劇 ； 女性 ； 國家發展程度 ； 美麗與能力 ； 角色多樣性

並列摘要

Many studies have found that print media is a miniature that presents the social realities. (Anderson and Imperia, 1992; Rosalind, 2007; Oró-Piqueras,2014). In recent years, drama is used to express dissatisfaction with the realities and aspirations for future society (Rosalind, 2007) This study mainly discussed the change of female drama roles in Taiwan, Japan and Korea and explored the correlation between national development level and the diversity of roles.

The development of female roles is tightly linked to the following 3 items: 1) women’s knowledge level; 2) national development policy; 3) the diversity of female occupations (Rosalind, 2007 ) This study use Content Analysis and Cross Analysis to investigate the following three points: 1)relation between drama types and national development level; 2)he relation between the outfits of female drama roles and national development level;3) The correlation between beauty and competence after the change of female status in modern times.

After all, combine the theory with Lacan (1936) proposed “Mirror-image Theory” and Thorndike(1920) proposed and formed a world “social intelligence”, Conclusions can be drawn from above that Japanese dramas conform to the real life; Korean dramas advocate bigwigs and desires, full of class fantasies; Taiwanese dramas are blends of multiple elements, inconsistent, disorderly and unsystematic. Therefore, it can be said that in the countries with higher national development level, the drama characters are much closer to real life and drama character are more diversified.

並列關鍵字

drama ； female ； national development ； beauty and competence ； role diversity

參考文獻

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