唐盛陶藝博物館展示設計

摘要博物館的展覽內容，從過去的靜態展品儲存方式，到動態教育的立場，把物件與人性結合，媒介與訊息互動的過程中，展示設計的發展不該拘泥於典型性傳統方式，應該用更廣闊的表現方式（黃光男，2006）。臺灣近年來興起「敘事」能力的培養，在博物館的經營上也開始在策展與活動中開始重視「故事性」的延伸。位於新竹縣峨眉鄉的唐盛陶藝，創辦人戴竹谿老師在民國約68年開始進行陶藝事業，至今40多年研究茶壺，希望開設博物館紀錄關於茶壺製作的歷程，讓自身的技術能夠透過博物館的文字、影音記錄下來，讓博物館觀眾了解戴竹谿老師花費了許多時間研究的茶壺以及自身的收藏。本研究以博物館展示設計為主，針對博物館發展、敘事、展示設計進行文獻探討，其中以博物館的展示設計作為主要研究方向，展覽的理念與規劃是博物館營運中非常重要的部分，需要針對展示內容做規劃以及如何抓住觀眾的心讓觀眾持續的閱讀下去。關鍵字：博物館、展示設計、敘事

關鍵字

博物館；展示設計；敘事

並列摘要

Abstract The displaying details in the museum, from the static display to the dynamic education way, which combines objects with humanity. In the process of interaction of mediums and messages, the development of display design shouldn’t only focus on the typical traditional way. Instead, it needs the extensive display method. （黃光男，2006） In recent years, the cultivation of narrative ability rises in Taiwan. In the operation of the museum, owners start to value the extension of the story in the display and activity planning of museum. Tompson Pottery, located in Emei, Hsinchu, and the founder is Zhu-Xi Dai, who started his business in Tompson art in 1979. He have been studying in teapots for 40 years, hoped to establish a museum that records the process of teapot making and let his technique recorded through words and videos in the museum. Additionally, the visitors can understand how many years Zhu-Xi Dai has been studying in various teapots and his collections. This research focuses on the display design of the museum, and gives the discussion about the development of museums, narrative and display design. The display design of museums is the main research direction. The concept and planning of the display is the highly important elements in the operation of museums. It’s necessary to plan the display details for catching the visitors’ eyes. Keywords：Museum,Exhibit design,Narrative