摘要
本論文先從威迪克方塊(Vedic square)與費比那西數列(Fibonacci sequence)的結構示範如何建立多元的圖樣(Pattern) 。接著，吾人探討如何抽離伊斯蘭花紋(Islamic Art)中的圖樣並且分析花紋的生成方式。本論文的主要目的乃是將威迪克方塊與費比那西數列的圖樣應用到伊斯蘭花紋的生成，俾使紋路更加豐富。
關鍵字
伊斯蘭並列摘要
In this article, we first demonstrate how to construct polymorphic patterns in virtue of Vedic square and Fibonacci sequence. Next, we explore how to abstract the patterns from the Islamic arts and analyze their forms of generation. Our main purpose in this article is to obtain the Islamic arts by employing these patterns of Vedic square and Fibonacci sequence and thus to let the expressions of the arts much more abundant.
並列關鍵字
Islamic參考文獻
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5. Bunyard D. and Brine A., Islamic Art, Micromath(Spring,1988).
延伸閱讀
- 鄭慧慈（2005）。伊斯蘭服飾文化。新世紀宗教研究，4(2)，83-120。https://www.airitilibrary.com/Article/Detail?DocID=16843738-200512-4-2-83-120-a
- 朱軒宇、陳旺城（2015）。伊斯蘭蘇菲主義旋轉及其宗教內涵初探。華人文化研究，3(2)，77-93。https://www.airitilibrary.com/Article/Detail?DocID=P20180411001-201512-201804130021-201804130021-77-93
- 陳旺城（2013）。伊斯蘭文化的人與自然生態關係淺析。中國邊政，(196)，93-95。https://www.airitilibrary.com/Article/Detail?DocID=a0000197-201312-201401060003-201401060003-93-95
- 洪淑妍（2003）。領略伊斯蘭文化之美。宗博季刊，(37)，6-6。https://doi.org/10.30158/ZBJK.200304.0002
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