漆藝創作研究—以林宣宏為例

A Study of Lacquer Art Creative Works by Lin Xuanhong

廖龍珍(LUNG-CHEN LIAO)

指導教授 ： 張謙允

中原大學/設計學院/室內設計研究所/碩士(2020年)

https://doi.org/10.6840/cycu202000125

摘要

本研究目的為探究台灣當代漆藝創作之創新，應用於食器、裝置、空間及其推展。為自日本人「山中公」首開漆藝傳習近百年以來，漆藝家賴高山、賴作明父子之後，第四代傳人林宣宏之漆藝創作為例，初步解析他開展現代化創新的漆藝創作為架構；應證漆藝創作應用在常民生活、地方禮俗、裝置藝術、建築空間上加以探索；延伸其漆藝創作推廣之漆藝展場設計。本研究方法以多次訪談林宣宏；及親身參與體驗其漆器與糕餅結合之「餅道」生活美學；並擔任其策展之「世紀蓬萊塗—台灣百年漆藝之美」漆藝聯展，展場空間設計師，以訪談法、觀察法研究其漆藝創作。本研究首先至林宣宏工坊訪談，解析其漆藝創作之材料、色彩、形狀、技法、工序等。漆藝創作應用分述於椀、杯、筷、漆彩葫蘆等室內裝置藝術；及其經濟部輔導「國內創新、國際領先」之「漆瓷」複合技術；樹漆磁磚為空間建材之應用，另章於地方糕餅文化、歷史漆棺文化上，作為台灣漆藝文創趨勢探討。漆藝推廣則以林宣宏2014年策展之：山中公及陳火慶、賴高山、王清霜，四位台灣百年最資深漆藝家聯展論述。本研究結果：1.解析漆藝創作創新室內裝修材料。2.探究漆藝創作於室內裝修設計應用。3.探討漆藝展場設計之要點及特色。樹漆漆藝為中國八千多年古老工藝，惟國內外談漆藝論著甚少，本研究可作為增添漆藝創作文獻，及探索其未來應用於室內裝修發展之作。

關鍵字

林宣宏漆藝家 ； 樹漆磁磚 ； 漆藝展場 ； 社造 ； 餅道空間美學 ； 文創

並列摘要

xplore the innovation of contemporary lacquer art creation in Taiwan, which is applied to food utensils, installations, spaces and their promotion. For nearly a hundred years since the Japanese painter Lai Gaoshan and his father and son Lai Gaoshan and Lai Zuoming started their lacquer art creation, the fourth generation heir Lin Xuanhong’s lacquer art creation was taken as an example to preliminary analyze his modern and innovative lacquer art creation. Architecture; It should be proved that the application of lacquer art creation is explored in the life of ordinary people, local etiquette, installation art, and architectural space; the design of the lacquer art exhibition venue to extend its lacquer art creation and promotion. In this research method, I interviewed Lin Xuanhong several times; and personally participated in the experience of the "cake path" life aesthetics of the combination of lacquer ware and pastry; and served as the curator of the "Century Penglai Tu-The Beauty of Taiwan's Centennial Lacquer Art" lacquer art exhibition, exhibition venue Space designers use interviews and observations to study their lacquer creations. This study first went to Lin Xuanhong's workshop to analyze the materials, colors, shapes, techniques and procedures of his lacquer art creation. The application of lacquer art creation is described in installation arts such as bowls, cups, chopsticks, lacquered gourds, etc.; and the Ministry of Economic Affairs counsels the “domestic innovation, international leading” composite technology of “lacquer porcelain”; The other chapter is on the local pastry culture and the historical lacquer coffin culture, as a discussion on the cultural and creative trends of lacquer art in Taiwan. The promotion of lacquer art was curated by Lin Xuanhong in 2014: Public Exhibition by Shan Zhonggong and Chen Huoqing, Lai Gaoshan, and Wang Qingshuang, four of Taiwan’s most experienced lacquer artists in a century. The results of this study: 1. Analysis of lacquer art creation and innovative interior decoration materials. 2. Explore the application of lacquer art creation in interior decoration design. 3. Discuss the main points and characteristics of the design of the lacquer exhibition hall. The lacquer lacquer art is an ancient craft of more than 8,000 years in China. However, there are few articles on lacquer art at home and abroad. This research can be used as an additional literature on the creation of lacquer art and to explore its future application in the development of interior decoration.

並列關鍵字

Lin Xuanhong lacquer artist ； tree lacquer tile ； lacquer art exhibition hall ； social creation ； cake path space aesthetics ； cultural creation

參考文獻

中文書籍：

1. 黃成(1570)，髹飾錄，明朝古書。

2. 吳楚材、吳調侯選編（1695），古文觀止，清朝古書。

3. 谷崎潤一郎（2002），《陰翳禮讚》，金石堂書局。

4. 文化資產保存法（2016修正），行政院文化部。