室內空間攝影畫面之構成分析

室內設計的作品往往都難以親臨現場感受其空間，因此大多仰仗於攝影將其空間重新詮釋。不論是經由媒體行銷作品，或是參加室內設計競賽，攝影的影像已成為目前主流的呈現方式。而如何將三維空間的室內設計作品轉向二維平面的呈現，則仰仗於攝影者對於空間的理解及拍攝的手法。第一階段透過文獻分析了解攝影中空間感如何構成、攝影的元素以及構圖的常見手法。第二階段透過分析TID AWARD歷年得獎作品，分析得獎作品中其畫面構成元素；最後訪談擁有豐富參獎經驗的設計師及攝影師，透過訪談的內容理解實際對於攝影時畫面構成的需求與考量。從分析得獎作品與訪談內容中研擬室內空間攝影操作原則。將其分為拍攝目標與拍攝原則兩個層面提出建議，拍攝目標分為空間關係、材質強調、形體構成、細節描述、空間敘事；拍攝原則為構圖原則、燈光安排、軟裝佈置。列舉操作原則作為室內設計師及空間攝影初學者參考之依據。

關鍵字

攝影；室內設計；畫面構成

並列摘要

Interior design works are often difficult to visit and feel the place, so most dependent on photography to reinterpret the place. Whether Using Social Media to Promote or participating in interior design competitions, photography has become the most popular presentation tools. How to turn the interior design work of three-dimensional into a two-dimensional photo is dependent on the photographer's perception of interior and photograph technique. In the first step, through Document Analysis, we learned how to constitute spatial sensations in photography, the elements of photography, and composition technique. The second step to analyzes the competition achievements of TID Awards in the past three years and analyzes the criteria of the screen in the winning works. At the final step , to have an interview with interior designers and photographers with rich experience in participating in the awards to understand the actual needs of the photograph composition in photography. From the analysis of the winning works and the contents of the interviews, we will study the principles of interior design photography. It is divided into two aspects: the photography goals and the principle of photography. The photography goals are divided into spatial relationship, material, physical composition, detailed description and spatial narrative. The principle of photography are divided into composition, lighting arrangement and decoration. List the operating principles as the basis for interior designers and beginners in interior design photography.