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  • 學位論文

家族、地域與女性選集──梁章鉅《閩川閨秀詩話》研究

Family, Region, and Women's Anthology : The Research on Liang Zhang-Ju 's Min Chuan Gui Xiu Shi Hua

指導教授 : 王學玲

摘要


本論文主要以梁章鉅《閩川閨秀詩話》為核心文本,研究立意旨在藉由作者選集的建構,論述選集生成的文學底蘊,透析閩川女性詩人群體的組成風貌,深化選集的文學意義。研究主要以「地域」與「家族」概念做為論題思考之核心,首先以「地域」做為切入點,理清「閩川」一詞的地理概念,探究明清閩川學術脈絡與文人地域意識的生成。第二部分審視選集編纂的生成意蘊,為何編?如何編?那些人入選?從家族到地域,作者如何透過兩者的共時性同時建構了家族也建構地域女性的群體風貌。希冀藉由梁章鉅選編的第一部閩川女性選集,試圖了解閩地女性群體生成與創作意蘊,為此地區女性創作提高文學的能見度。 論文共分五章,各章節重點如下:第一章針對文獻版本、研究主題、歷來研究進整體概述。第二章論述重點共分兩大部分,第一部分探究清代閩川地域文學以及梁章鉅學術、詩學觀念與地域意識之體現,進而討論閩川區域文學選編過程中對於女性創作的關注與收編。第二部份論述《閩川閨秀詩話》成書梗概、編選的史料範疇,次而針對丁芸所編纂《閩川閨秀詩話續編》與《閩川閨秀詩話》相較,探究不同作者對於閩川女性輯錄及編輯的差異性。 第三、四章探究作者如何藉由「才學」、「婦德」建構女性形象,首先以家族群體進行討論,主要以梁章鉅、黃任、鄭方坤三個家族女詩人為主要觀察對象,其餘地域女性為輔,探究家族女性與群體關聯性及才學、婦德的顯徵。藉由作者對於家族女性建構的標準擴至收編地區女性時,婦德與才學如何顯現。因此第四章以從家族銜接至地域,以男性閱讀做為中心,由選輯策略、文學批評、讀者意識、展開討論,探視男性如何利用選集來提供一種家族卅地域女性的文學保存機制,以及閩川女性整體的才學風貌。首先,探究作者編選女性的目光、入選的女性特質。再則,藉由選錄女性之詩作、詩評析論作者對於女性創作的批評。最後透過閩川女性的社交、游歷呈顯女性文學的風貌,以及地處東南沿海女性特殊的經歷與遭遇。第五章則透過論文主體的分析來反思《閩川閨秀詩話》選集所形成的文學意義,更把選集置放於清代女性文學發展的脈絡中,歸納出選集的特殊性,最後針對論文研究局限做檢討,反思與總結研究結果與意義。

並列摘要


This paper mainly Liang Zhang-Ju's Min Chuan Gui Xiu Shi Hua as the core text, study conception to selection of the construction by author discusses the anthology's literary heritage is generated, dialysis Min-Chuan Women Poets in the composition of the style, and deepen the meaning of literature anthology. Study of "region" and "family" concept as the core subject of thought, first of all a "region" as entry points, sort out, "Min- Chuan" is a geographical concept, exploring the academic sequence of the Ming and Qing literati Min-Chuan region awareness generation. Examine the selection of the second part of generated compiled by implication, why be compiled? How to be compiled? Those who selected? From the family to the region, by how the two were at the same time when the construction of the family of regional women's groups are also building character. With hopes of a selection of Liang Zhang-Ju Min-Chuan first anthology of women, trying to understand women's groups in Fujian Province to generate and creation implication, for the region to improve women's creative literary visibility. Paper is divided into five chapters, each chapter focused on the following: the first chapter in literature version, research topic, and has always been an overview of research into the whole. The second chapter deals with the focus is divided into two parts, the first part of the Min-Chuan to explore the Liang Zhang-Ju geographical literature and academic, poetic sense of the concept and geographical manifestation of regional literature and then discuss the Min-Chuan in a selection process for women concerned about the creation and incorporation. The second part discusses Min Chuan Gui Xiu Shi Hua sketch book, compile historical data areas, times and compiled for Ding Yun, Min Chuan Gui Xiu Shi Hua Xxu Bian and Min Chuan Gui Xiu Shi Hua compared to explore the different authors for the Min-Chuan female differences in recording and editing. Third and the four chapters explore how the author through "scholarship", "women's virtue" constructed image of women, first of all a family discussion groups, mainly Liang Zhang-Ju, Huang-Ren, Zheng Fang-Kun three family of poets as the main observation of the object and the remaining area of women, giving the family, women and groups to explore the relevance and scholarly talent, a remarkable sign women's Germany.By authors construct a standard for the extended family of women's incorporation of women in the region, the women's Germany with the talent and learning how to appear. First of all, explore the authors compile the eyes of women, selected femininity. Third, by selected women's poetry, poetry in writing for women on the author's criticism. Eventually, by the Min-Chuan women's social, traveling women's literature was remarkable style, and situated on the southeastern coast of women's unique experience and encounter.The final chapter, through the analysis of the main paper to reflect on, Min Chuan Gui Xiu Shi Hua anthology of the literary significance of the formation, but also the anthology of women placed in the Qing Dynasty in the context of literary development, sum up the special selection of the final limit for the thesis research to do a review, reflection and summing up the findings and significance.

參考文獻


一、古典文獻
〔晉〕郭樸:《山海經》收入嚴一萍選:《百部叢書集成》第28輯,經訓堂叢書第1函,板橋:藝文書館,1965年。
〔晉〕鄭玄:《周禮》收入嚴一萍選:《百部叢書集成》第45輯,士禮居叢書第1函,夏官職方氏,板橋:藝文書館,1965年。
〔明〕冒襄:《影梅庵憶語》收入蟲天子編:《香豔全書》,北京:團結出版社,2005年。
〔明〕胡應麟:《詩藪》收入《四庫全書存目叢書》418冊,臺南:莊嚴出版社,1997年。

被引用紀錄


高月娟(2012)。王端淑及其文學研究〔博士論文,淡江大學〕。華藝線上圖書館。https://doi.org/10.6846/TKU.2012.00976
李雅婷(2011)。家學建構與傳承對清代才女文學的影響—— 以錢塘袁氏女性文學為中心探討〔碩士論文,國立中央大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0031-1903201314410916

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