陶容器紋飾風格之研究─以古坑•大坪頂遺址為例

雲林縣古坑•大坪頂遺址位處於營埔文化範圍的南側邊緣，處於竹崎丘陵─斗六丘陵上，屬於營埔文化盛期的營埔類型，碳十四年代測定主要集中在3000-2800B.P.。位處邊緣的古坑•大坪頂遺址在陶容器上擁有繁複精美的紋飾，依照其陶容器紋飾的統計看來，施紋陶質遺留占總陶質遺留的數量比例偏高，施紋技術純熟，並且有固定施紋位置，器型亦見有刻意抹平或是延伸的技法，使得施紋更加容易或是施紋面積更廣，顯示「紋飾」存在於古坑•大坪頂遺址已具有其重要性，而非僅是「裝飾」功能。本研究主要探討該階段的人群相對於其他同時期遺址的紋飾使用量都更為豐富，就時間和空間的意義上，是相當具有獨特性。另外也藉由紋飾加以說明營埔文化本身內部意涵和營埔文化內部和外界的關係，推測在文化與文化邊緣接觸的區域或是重疊的灰色地帶，對峙的群體之間仍會有人群的交流，在流動的過程當中，越是繁複的象徵紋飾就越能成為對比的區分標誌，在這個時期西部的灰黑陶區域，各個文化除互相影響交流外，也和周邊其他文化發生密切關係。

關鍵字

古坑•大坪頂遺址；紋飾風格；營埔文化

並列摘要

Gukeng-Dapingding Site is located at the southern edge of the Yingpu Culture zone, where is situated on the hill between Douliou and Ju Chi township in Taiwan. It is belong to the Yingpu type of the Yingpu Culture period of great prosperity by carbon dating method in 3000-2800B.P. There are many emblazonry with exquisite and complex on the pottery. According to the pottery’s emblazonry, decorated pottery remains number have much high proportion than the pottery remains of all. Furthermore, the decorated technique of decorated pottery remains is more versed and fixed position. The shape of pottery have the technique with floating and extension that make it more easy to decorate or to make the square measure more vast. The technique show the importance of emblazonry at Gukeng-Dapingding Site. This study is to discuss the usage of decoration are more abundant than the other sites in the same period. It is shown the uniqueness in time and space. It also describe the significance itself and the relationships between interior and exterior. Base on the supposition for the culture and culture edge in the area or overlap zone, where exist the peoples’ communication. The more complex emblazonry are more easy to become the contrasted symbol in the floating period. The culture of the western gray pottery’s area is interactive with each other culture and make the closed relationship around the area.