紀實・尋道・訣別—黃道周紀遊詩探析

本文主要以黃道周（1585-1646）為探討對象，透過黃道周一生的經歷及詩歌創作，探究黃道周紀遊詩在內容、形式上的創作意圖以及「遊」本身對於黃道周的哲思影響。　　本文分為五章探討黃道周的紀遊詩。第一章主要針對研究動機與目的、文獻探討、研究方法及前人研究詳加說明。第二章進行背景梳理，探究黃道周之紀遊詩在詩題、詩序、詩作的敘事表現手法及其功能。第三章則從黃道周的哲學思想剖析其對「道」的意涵，以及他如何以「遊」作為尋道的途徑。第四章以〈告辭十八翁詩〉為考察文本，釐清隆武二年黃道周為何選擇此十八座山作為訣別對象？再者，透過其詩與崇禎五年以山為名之詩作的比較，窺探黃道周在現實與記憶的書寫差異，並從「空間」剖析場景與人的互動關係，及如何形構「兩者」互為自我的意涵。第五章總結以上各章節之研究成果與陳述研究展望。

關鍵字

黃道周；紀實；敘事；紀遊詩；尋道；訣別

並列摘要

This article mainly focuses on Daozhou Huang (1585-1646). Through Daozhou Huang's life experience and poetry creation, it explores the creative intention of Daozhou Huang's travelogue poetry in terms of content and form, and the influence of "travel" itself on Daozhou Huang's philosophical thinking. This article is divided into five chapters exploring Daozhou Huang's travelogue poetry. The first chapter focuses on research motivation and purpose, literature discussion, research methods and previous studies. The second chapter is to sort out the background and explore the subject matter, preface, and narrative expression and function of Daozhou Huang's travelogue poetry. The third chapter analyzes the meaning of "Tao" from Daozhou Huang's philosophy and how he uses "travel" as a way to explore. The fourth chapter uses the text of "The Eighteen Weng Poems" as an examination text to clarify why in 1646 (the second year of Longwu era), Daozhou Huang chose these eighteen mountains as objects to which to bid farewell. Furthermore, through the comparison between these poems and other mountain-titled poems of 1632 (the fifth year of Chongzhen era), it explores Daozhou Huang's writing differences between reality and memory, and analyzes the interaction between scenes and people using the idea of "space", and forms the meaning of "the two" as each other’s self. The fifth chapter summarizes the research results of the above chapters and states the promising areas of further study.