心象．覺知 －自我生命體驗繪畫創作研究

Mind and Perception: A Study on Self Life Experience in Painting

陳惠君(Hui-Jun Chen)

指導教授 ： 劉文煒老師 ； 王瓊麗老師

國立臺灣師範大學/藝術學院/美術學系在職進修碩士班/碩士(2006年)

摘要

人對於身體的感知，不只是感知到身體這個物質的存有，而是包含精神意識的層面。每個人都是獨立的個體，都以個體主觀感受分析外在情勢，而對不同外在社會環境的刺激，也會有不同的人生見解與體悟，生命的價值在於自我知覺的過程，藝術家創作的目的就在於發掘自我的知覺，實現人生的價值！
筆者先對人的知覺與情感作論述，並列舉藝術家將生命體驗融入藝術創作中，續談筆者《心象?覺知─自我生命體驗繪畫創作研究》創作內容與創作作品，期望將筆者與社會外在環境的交互作用下，個人內在思想的蛻變，做情感的剖析與探究，藉以自我瞭解、自我成長、自我實現。本文撰寫分五章，各章節摘要如下：

第一章 說明研究創作的背景、動機、目的、研究範圍與方法，將筆者身處
的社會環境與個人心靈探求作陳述。
第二章 探討人的知覺與情感方面的文獻，列舉藝術家表現愉悅的繪畫與悲
苦的繪畫。
第三章 論述筆者創作理念與理論基礎。
第四章 創作作品說明與美感表現分析。
第五章 結論包含研究心得及未來創作方向。

關鍵字

心象 ； 覺知 ； 生命體驗 ； 繪畫創作

並列摘要

The perception of a human body is not only to sense the being of the physical body, but also to include the spiritual or conscious level. Every person is an independent individual; she and always analyzes external situations with his subjective perceptions. Different understandings and views on life thus arise while reacting to various stimuli from different social environments. The value of life lies in the process of self-awareness; and the aim of artists is to dig their own perception as well as to realize the value of life!

First of all, the author discusses human’s perceptions and affections as well as enumerates the artists who fuse life experiences in their artworks. And then she continues to discuss the content of her own “Mind and Perception: A Study on Self Life Experience in Painting.” The author expects to explore and anatomize the transmutation of her own internal emotive thought under the interaction between the external social environment and herself, herewith to improve self-understanding, self-growth, and self-realization.This thesis is divided into five chapters:

Chapter 1: To explain the background, motive, aim, scope and method of this research creation, and to express the author’s social environment and personal spiritual quest.

Chapter 2: To explore the literature on human’s perceptions and affections, and to enumerate the paintings in which artists express their delight and sorrow.

Chapter 3: To state the author’s ideas of this creative work and its theoretical basis.

Chapter 4: To explain the work and to analyze the aesthetic performance.

Chapter 5: The conclusion, including what the author has learned in this creative work and the directions of future creation.

並列關鍵字

Mind ； Perception ； life experience ； Painting creation

參考文獻

葉長海(1991)譯：藝術學。板橋：駱駝。

Shaun McNiff著 許邏灣(1999)譯：藝術治療。台北：新路。

朱光潛(1992)著：談美。台北：洪葉文化。

朱伯雄(2003)著：拉菲爾前派與象徵主義美術。台北：藝術家。

江如海(2006)著 林曼麗 蕭瓊瑞主編：觀想與超越─藝術中的人與物。台北：東大。