台灣東北角海岸水墨畫創作研究

A Study on the Chinese Painting Creation of Taiwan Northeast Coast Depiction

陳文永(CHEN WEN YUNG)

指導教授 ： 林昌德

國立臺灣師範大學/藝術學院/美術學系在職進修碩士班/碩士(2006年)

摘要

中文摘要

本研究以「台灣東北角海岸水墨畫創作研究」為題，藉由實際觀察東北角海岸之地形與地質的景象變化，認識其岩石紋理奇特的風貌來探討寫生創作時，在表現石的形與質之外，如何以水墨畫中特有的筆墨情趣體現詩情畫境。本論文共分為五章，其內容概要如下：
第一章緒論，闡述研究動機與目的、研究主題與內容、研究範圍與方法。

第二章探討水墨畫山石造形之表現，先從傳統畫論中有關造形觀念對山水畫形象意涵的影響，及如何「用筆」來表現形與質。

第三章由形象到意境之形成，藉由傳統文人論繪畫「意境」的內涵，由外在的形象經由繪畫形式的具體表現轉化為意象畫境。

第四章為創作理念與實踐，論述個人創作思想、理念，分析作品的創作形式內容、方法與歷程。
第五章為結論，以本次創作研究過程中所遇到的困難及領悟之道理做省思檢討，並做為日後創作努力的方向。

關鍵字

東北角水墨畫

並列摘要

Abstract
The objective of this study is focus on the Chinese painting creation of Taiwan northeast coast depiction. Aside from discussing how to depict the appearance and texture of the rock, how to embody the poetic spirit of paintings with unique manipulations of ambiance in Chinese ink painting creations will be explored in this study as well by observing the geographical and geological changes of northeast coast scenery and recognizing the original features of the vein.
The five chapters are as stated as below:
Chapter1: Introduction
The motivation and purpose, objective and content, realm and methods of this research are elaborated in this chapter.
Chapter 2: The discussion on the appearance and depiction of mountains and rocks in the Chinese ink painting
In this chapter, the concepts of appearance in Chinese painting theory that influence the image and artistic connotation of Chinese landscape paintings will be first stated. Besides, how to manipulate the painting skills in order to present the image and the vein will also be discussed.
Chapter 3: From natural appearance to artistic connotation
Introduce literature reviews of aesthetic viewpoints from traditional painting theories as to the connotation of artistic ambiance by means of transcending visible natural appearance into invisible aesthetic imagery.
Chapter 4: Ideas and practice of my creation
This chapter presents the thoughts and ideas of my creation, including the analysis of the style, methods, and the process of the work.
Chapter 5: Conclusion
On the basis of the reflection and examination derived from the difficulties in the process of my creation of this study, I expect there is deeper enlightenment as a guide in my future creation.

參考文獻

參 考 書 目

1. 于安瀾 著，《畫論叢刊》，台北：華正書局，1984。

2. 巴東 著，《中國巨匠美術週刊—張大千》，台北：錦繡出版社， 1996。

3. 巴東 著，《張大千研究》，台北：國立歷史博物館，1996。

4. 王國維 著，《人間詞畫》，台北：金楓出版社，1987。