從「靈視、幻象與潛意識流」—探討彩墨超現實畫風的符號、象徵與意涵

“Spiritual view, fantasy and subconscious flow”—the exploration for the symbol, symbolism and significance forInk Painting ultra-realistic style.

李憶含(Yi-Han Lee)

指導教授 ： 王友俊 ； 江明賢

國立臺灣師範大學/藝術學院/美術學系/博士(2013年)

摘要

人類賴以生存之地球是文化交流的重要平台，更是靈動藝術演繹之理想介面。一般而言，探討映照自身源出的母體文化，比與世界不同區域文化更能貼近自己。二十一世紀的今日，在文化全球化的時代氛圍裡，有關藝術演進問題之思索與辨明，是一種對自身、世界的覺察和理解，同時，也是對東西哲學體系之反思及詮釋。由於當代思潮的多元化演繹，形成資訊、知識與理論之無止盡擴張，在經由不斷衝撞和激盪的發展過程，顯示有別以往之藝術解讀及風格析探。
有鑑於此，基於長期自我審視與精神投注，希望透過個人的意會、感通和靈覺，明確一切盡其在我、符應天地，揭示萬般發明本心、歸於自然，坦然面對內在的真實自己，究竟一探理想之生命藝術。因此，對於自然、人文和心靈的互通性，總是虔誠至心、秉持依道循理，詳加予以研究與探討。在此，依「靈」活「運」用的觀念啟發，就本論文主要的內容意涵，概述相關議題與研究方法：首先，依文化人類學有價值的學術研究，推演出心性之學之言詮與論說，藉此系統學理的彙集和參酌，引發契應身心靈整合之藝術探索，以承接傳統意境美學的理論基礎，延展個人的思想意涵與創作旨趣。其次，對具有時代性的文化、歷史、哲學、美學與藝術等素養，亟欲以積極的態度深入探討；依主體精神、思想、意識、觀念和情感等問題，進行全面的認識與釐正。並且，在關注當代藝術的演變過程中，對政治、經濟、社會、心理及宗教等方面，廣泛地予以整理與歸納。再者，閱覽國內相關文章與報導資料，援引西方邏輯知識和實證理論，乃至參考海外華人的獨特見解，研讀重要刊物之專題評述，以期增廣見聞知識、開闊心靈視野。此外，嘗試透過具體細微的古代文化事象，追溯東西文明交匯、盛衰巨變之緣由，以多角度審視所屬道統的文化形塑，重探亙古之震旦氣象與華夏文明。
最終，期盼藉由「主體自覺」的理解與關注，靈活呈現人文況味和實驗精神。緣此，擬定從「靈視、幻象與潛意識流」，探討彩墨超現實畫風的符號、象徵與意涵，尋思依「心的狀態」和「精神作用」，以概括、集中及明晰之論述理路，彰顯新世紀文明的「東方意象」，體現源於「靈動思惟」之美學思想、藝術理論，以及個人現階段的圖式風格。

關鍵字

靈視幻象 ； 潛意識流 ； 觸機神應 ； 東方前衛 ； 當代逸境

並列摘要

The earth that human lives on is the vital platform for cultural interchange, and an ideal interface for artistic inference. In general, the exploration of “itself” derives from “maternal culture”, is closer to “itself” than that of any other different regional cultures around the world. Nowadays, under cultural globalization, it is expected to regard the speculation and differentiation for cultural-related issues as a kind of comprehension about oneself as well as global culture, and at the same time, the reflection and interpretation about oriental and occidental philosophical systems. Due to diversified deductions for contemporary artistic thoughts, the endless expansion of information, knowledge and theories were formed. And it is evident that owing to the process of unceasingly collisions and surges within global culture, a series of different cultural patterns and artistic types were exhibited.

For this reason, I wish to confront “arts” under the premise of chronic self-inspection and spiritual investment, and through observation, inspiration, and speculation. Therefore, the connection amid nature, humanity, and mind were studied as thoroughly as possible. Base on the content of this thesis, relevant subjects and research methods were individually and specifically discussed. Firstly, according to the research of cultural anthropology, related artistic discourses and interpretations were extracted and expounded, and by this systematic research, it is expected to benefit the overall thoughts derived from mind and soul, within artistic exploration. Then it bridged the existing foundation laid by predecessors and the sages alike, and serves as the extension for future spiritual orientation as well as the artistic exploration. Secondly, regarding epochal cultural, historical, philosophical, aesthetical and artistic capacities, they were dealt with in-depth researches actively. Thirdly, comprehensive understandings and rectifications were made against issues such as spirit, thought, consciousness, concept and emotion. Fourthly, while focusing on contemporary artistic evolution, a massive sorting-out and summarization against the political, economical, social, psychological and religious aspects were conducted as well. At the same time, domestic researches and data were reviewed in addition to extensive quotations from western and overseas Chinese scholars. Moreover, the study of major artistic critiques helps expanding overall knowledge. I’ve retraced the cultural communication between oriental and occidental civilizations as well as the causes of the rise and fall of them, through concrete yet subtle cultural objects.

Finally, I’ve explored the symbols, symbolizations and respective significances of ultra-realistic painting styles, so as to realize the mindset and spiritual interactions. Therefore, to summarize, consolidate and accurately discourse, and eventually to reflect aesthetic thoughts for “Oriental ultra-realistic painting style”, the artistic theories as well as the creation practices at the current stage for any individual.

並列關鍵字

Spiritual vision and illusion ； Potential consciousness ； Blessed initiation ； Oriental avant-garde ； Contemporary escapism

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