東方思想〝二元對立與和諧〞應用在雕塑作品之研究

The Research of Oriantal Thinking-Antagonistic and Hamonious Applied on Sculpture Collection

楊奉琛(YANG FENG-SHEN)

指導教授 ： 張柏舟 ； 梁桂嘉

國立臺灣師範大學/藝術學院/設計研究所/碩士(2009年)

摘要

摘 要 從事創作以來，真實的感受到藝術就是生活。我們也可以從生活的各種層面 來看藝術，也因此我常常從大自然中得到藝術創作的靈感。大自然的偉大及包 容，孕育了宇宙萬物，從無到有、虛與實，事實上它無所不包； 當我們一切都回歸自然之後，便是一通百通，用各種角度去探索事情便都能夠解 釋其中真實的道理所在，這就是生命的哲學。我的人生中心思想，有大部分來自 東方哲學，東方思想文化中，「人心」與「道心」為核心價值觀，並且當人心與 道心連通與融合時，可以達到「天人合一」的境界。 本究研主要是想再次的重新專研東方哲學的二元論；「『無』是天地的本始， 『有』是萬物的根源。」藝術創作哲理的「形式」是虛的，創作方法的「質材」 是實的，創作哲理要「虛」，才能夠靈活地「以虛控實」。我將從二元論中探討這 虛與實、有與無、陰與陽對立與和諧之關係，應用在雕塑創作之理念，創造出抽 象且簡潔的造型，把自己的東方文化哲學應用在雕塑創作上，呈現出自己的獨創 性、唯一性。 推動本土藝術文化的進步，傳承的艱辛與韌度，無形之中凝聚了百年來的能 量，釋放出綿續不斷的無限可能，讓台灣的雕塑生命力能夠擴展至國際的能見 度，台灣雕塑需要靠大家的力量結合，綿延不絕的傳承，希望我是那力量的源頭 之一。 關鍵字：雕塑、二元論、東方哲學

關鍵字

雕塑 ； 二元論 ； 東方哲學

並列摘要

Abstract
Since doing the creation, really feel art is life. People can observe the art in
different parts of life, so I often find ideas of creation from the natural. Natural is
great and tolerance, also cradle the universe, out of nowhere, virtual and real. In fact,
it’s all-inclusive. When return to natural, we can understand everything clearly, and
then use variable view to explore problems and explain the truth. That is philosophy
of life. In my philosophy of life, eastern philosophy is the most important parts.
“Conscience” and “morality” are the main concepts in the oriental culture. When
conscience and morality connect and integrate, people will into the condition of
“combination of human and heaven”.
This research is focus on the dualism of eastern philosophy. Nil is beginning of
earth, existing is the source of everything. The forms of art creation philosophy are
“nihility”, but the materials of creation are “true”. Philosophy of creation must be
“nil”, it can make nihility to control nimbly the true. I’ll explore the dualistic and
harmonious relationship on nihility and true, existence and emptiness, Yin and Yang.
Further, I apply the concepts above to the creations of sculpture, and then create its
form of abstract and simple. Finally, the research present my creation’s characteristic
of special and particular by using the eastern culture philosophy to the creation of
sculpture. Presently, artists in Taiwan promote the advancement of indigenous arts and
culture. The inheritance of hard and toughness gather the variable energy among a
hundred years and release continually possible. The vitality of the sculpture can be
extended to international visibility, Taiwan's sculpture needing our medicine, luxuriant
growth of inheritance; expect I’m the one of source of strength.
Keywords: sculpture, dualism, Oriental philosophy

並列關鍵字

sculpture ； dualism ； Oriental philosophy

參考文獻

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參考文獻

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