眷顏˙ 憶趣˙ 凝眸—人物圖像創作研究

The family face, recalled that the interest, stares at eyes

柳淑惠

指導教授 ： 林昌德

國立臺灣師範大學/藝術學院/美術學系在職進修碩士班/碩士(2011年)

摘要

生為眷村長大的空軍子弟，心理帶有使命感，不想再追求個人的象牙塔藝術造詣，套入創作公式而已，希望也有「其他因素」的藝術表現，更不希望「眷村」成為歷史名詞，漸進探討當代台灣社會族群的脈絡。討論台灣近代歷史藝術中，借用將消失的「眷村憶像」、「族群想像」，追尋印象中的「精神內涵」題材來延伸發展，引導出背後意涵的「議題論述」到底為何。是國家當政者的權利爭奪戰或是老百姓的基本生存土地居住權。
筆者藝術家發掘代表台灣的各種可能性，這些作品能夠形塑出「在地台灣」，台灣獨特的文化歷史，跨越語言，誇越文化，重新閱讀臺灣近代史料，檢視「台灣性新鄉土」的當代書寫意義。回顧台灣歷史、政治的變遷，台灣人對於被殖民的殘酷事實所帶來的苦難，時間的距離長遠，讓我們以理性態度來恢復台灣人的善良。
創作作品與論文以「眷村憶像」、「族群想像」使用這兩種思維做為主軸。重新思考，臺灣當代性的特殊面貌。以憶念的深刻體驗感受，轉化為個體作品，美學素養、藝術見解、象徵意義及實證體會能見到這些思惟流動其內。
第一章討論剖析自己心理，醞釀出創作動機與緣由，此種詮釋是自然很直接但也非常局限。
第二章本身對於島嶼臺灣，近代史來源深感興趣，再度落回「殖民／被殖民」的思慕之中。
第三章借鏡反照出臺灣，百年刻苦人物圖像，對照出中國特殊的藝術情境，也關照西方的理想與激情的政治災難藝術語彙。
第四章討論創作作品的形式、內容意涵，材質的消融及解消的意圖。
第五章創作作品總體介紹過程、棄絕耽美的形式主義，堅守寫實主義美學以憶境、絮語為大敘事做為創作標的。
第六章總結心得與期許。

關鍵字

眷村 ； 憶境 ； 島嶼臺灣

並列摘要

Lives for the family village head's big air force juniors, the psychology has the sense of mission not to want to pursue individual ivory tower artistic attainments again, the in-vagination creation formula, hoped also has “other factors” the artistic performance, did not hope “the family village” becomes the historical noun, the evolution discussion present age Taiwan society tribal grouping tribal group's vein. Discusses in Taiwan modern times history art, will borrow will vanish “the family village to recall that the ele-phant”“the tribal grouping tribal group will imagine”, will track down in the impres-sion “the energetic connotation” the theme to extend the development, why will guide behind the meaning “the subject to elaborate”. Is the national being in power right con-test perhaps common people's basic survival land right of occupancy.
The author artist devotes to excavate represents Taiwan's each possibility, these works can the shape model “in place Taiwan”, Taiwan unique culture history, the span-ning language, praises the Vietnamese culture, inspects “the Taiwan new native soil” contemporary writing significance. The misery which looks back into Taiwan history, the political vicissitude, the Taiwan people regarding is colonized the brutal fact which brings, the time distance lets we by the rational manner restore long-term Taiwan people's good-ness.
The creation work and the paper by “the family village recalled that the elephant” “the tribal grouping tribal group imagines” uses these two kind of thoughts to do for the main axle. Ponders the Taiwan present age special appearance. Bears in mind the profound experience feeling transforms as the individual work, esthetics accomplishment, the artistic opinion, the symbolic significance and the real diagnosis realized that can see among them these meditation flowing.
The first chapter the discussion analyzes oneself psychology, ferments the creation motive and the reason, this kind of annotation is naturally but also limits very directly.
The second chapter itself regarding the islands Taiwan history origin deeply feeling interest, falls once again “colonizes/colonizes” in admiring.
The third chapter profiting by observing others reflects Taiwan hundred year assi-duous character image, compares the Chinese special art situation also to look after West's ideal and the fervor political disaster art vocabulary.
The fourth chapter the discussion creates the work the form, the content meaning, the intention which the material quality ablation and dispels.
The fifth chapter the creation work overall introduced that the process, abandons de-lays US's formalism, perseveres the realism esthetics to recall that the boundary incessant chatter to do greatly narrative for the creation sign.
The sixth chapter summary aspiration and to oneself immediately artistic under-standing trend.

並列關鍵字

Military community ； memory environment ； the islands Taiwan

參考文獻

‧黃俊傑 著《臺灣意識與臺灣文化》臺北，正中書局，2000。

‧嚴靖傑撰「記憶拼圖之創作研究」臺灣師範大學美研所碩士論文2010。

‧陳柏志撰「現代工筆人物畫創作之研究」臺灣師範大學美研所碩士論文2008。

專書：

‧方薰 著《山靜居畫論》上海，上海商務，1936。