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  • 學位論文

流行.生活.圖樣—陳肇珮水墨創作

Popular.Life.Pattern–In the creation of ink painting by Chen Chao–Pei

指導教授 : 程代勒
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摘要


本研究以年輕女性的流行服飾為出發,探索生活、流行服飾中其圖樣、布花的呈現,試圖將人物與圖樣以水墨、彩及數位輸出的貼紙形式,共同構成流行與藝術的創作表現。 流行的表現其牽涉的範圍廣大,文中以時尚、時裝流行作內容討論,人們在追求與獲得時裝中得到滿足,且在物質與精神消費中能表現其自身及其社會身份的象徵;商品透過廣告及各式宣傳能促成流行的活躍,商品的塑造與消費者心態皆是文中促成流行的重要因素。 大眾、流行與藝術的關係,於後現代藝術裡的藝術大眾化傾向以不帶偏見的眼光重新呈現大眾文化,是親近生活的藝術,藝術結合大眾傳播媒體表現的普普藝術,從安迪.沃荷到當今日本超扁平的藝術風格,村上隆將藝術融合商品、名牌,讓藝術與大眾、流行的商業之間創造新的可能。 圖像與符號是構成畫面的創作方式,圖像的生活及個人符號的建立,描述生活中的流行現狀、都市文明、網路與商品消費等,透過圖像將時代的題材、審美象徵完整呈現,讓創作具時代意義。最後述說個人創作理念與形式,在構圖、媒材上的水墨嘗試表現,藉創作脈絡來檢視和釐清自己的創作及美學思想是否能銜接,期待自己的創作方向和風格更明確與踏實。

關鍵字

水墨 流行 圖樣 數位輸出

並列摘要


In this study, young women’s clothing fashion as a starting to explore how patterns, and cloth flowers are showed in life and fashion. Also, try to use ink, water-color, and digital output in the form of stickers showing figures and patterns. So that it constitutes the performance of fashion and artistic creation. The range of performance of fashion is vast. Vogue and clothing fashion will be discussed in this study. People feel satisfied from in the pursuit of and access to fashion. Therefore, they can show their social status and themselves by the consumption of material and spiritual. Products can promote fashion active through advertising and publicity. Moreover, the most important factors that contribute fashion are products molding and consumers’ attitude. The relationship among public, fashion, and art. In postmodern art, the popularity of art trends to re-render popular culture by unbiased views. It is an art which closing life, and it is the POP Art that combined art and mass media as well. From Andy Warhol to contemporary Japanese art style- super flat. At the same time, what Takashi Murakami done is art to integration of goods, brand-name. So that we can a new possibility of business is created by art, the public, fashion. Images and symbols are the ways to constitute drawings, living of images and the establishment of personal symbols, describing epidemic status in living, urban civilization, network, and product consumption. Through images, subjects of the era, aesthetic symbols can be completely preformed, and artistic workings are full of meanings of era. Finally, telling personal creative ideas, form, and hoping to survey and clarify if creation and aesthetics can be connected. Also, to look forward to my creation direction and style will be more explicit and practical.

並列關鍵字

Ink Psinting Popular Pattern Digital Output

參考文獻


2. 陸承石,《當代物質美學及個人創作論述》,國立台灣師範大學美術研究所論文,2007年。
一 中文書目
1. 朱其,〈鮑德里亞理論對於消費文化研究的意義〉《消費文化與藝術創新》,楊斌主編,南昌:江西美術出版社,2007年1月初版。
2. 西洋美術辭典編委會編譯,《西洋美術辭典》,臺北市:雄獅,1982年。
3. 余秋雨,《藝術創造論》,臺北:天下遠見,2006年1月初版。

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