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  • 學位論文

二點五次元的凝視-女僕意象之創作研究

2.5th Dimension of the Gaze– The Creations of Maid Images

指導教授 : 朱友意
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摘要


本研究主題為「二點五次元的凝視-女僕意象之創作」。主要探討的目的為透過繪畫來探討現今女僕文化在消費市場盛行其背後的父權主義與女性被物化的社會現象。另外也研究創作過程中畫家與其創作的圖像間相互凝視的產生的心理現象並透過卡漫結合真人角色扮演的符號表現當代視覺藝術的定義。 在研究架構上,共分五個部分。一、包含創作的動機與目的、內容與範圍及名詞解釋。二、從女性物化、凝視理論與消費文化的觀點分析女僕文化的現象。三、分析西方繪畫史中有關以女僕為主題的作品以探討女僕形象在西方繪畫上的表現。四、分析ACG動漫迷對二次元少女迷戀的心理現象。五、由形式內容解析和呈現個人以女僕為主題創作的作品。最後藉由創作結果與創作研究動機與目的做印證,期許未來運用個人繪畫的語言,繼續傳遞藝術的感動。

關鍵字

二點五次元 凝視 女僕 次文化

並列摘要


The theme of this study is “ The gaze in the 2.5th dimension- the creations of maid images.” It aims to research on the patriarchism behind the maid culture prevalent in the consumers’ markets and the social phenomena of women materialized. Besides that, the researcher tries to research on the psychological phenomena from the mutual gaze between the artist and his creating images, and express the definitions of contemporary visual arts through the symbols of cosplay, a live cartoon personation. The study framework includes five parts. First, it includes the motivations, purposes, contents, coverage, and word definitions of this creation. Second, analyze the phenomena of the maid culture from the view points of women materialized, gazing theories and consumer cultures. Third, analyze the works about maid in the history of western paintings to discuss the performance of maid images in Western paintings. Fourth, analyze the psychological phenomena of the ACG cartoon fans enamoured of the girls in the 2nd dimension. Fifth, analyze the forms and contents, and perform the researcher’s creations about the theme of maid. Finally, confirm the motivations and purposes of this study by the creation results. The author looks forward to passing on the inspiration of art through the individual painting language.

並列關鍵字

2.5th dimension gaze the maid subculture

參考文獻


Sigmund Freud著,1988,《性愛與文明》,滕守堯 譯,台北市:國際文化出版。
李承道,2009,《圖像混搭遊戲-台灣當下次文化現象之繪畫研究》,國立臺灣師範大學美術學系碩士論文。
黃瑋斌,2008,《男性御宅族的愛情/色情幻想與實踐之研究》,臺灣師範大學大眾傳播研究所碩士論文。
詹喻帆,2009,《真實與虛幻&角色與扮演》,國立臺灣師範大學美術學系碩士論文。
Jacques Lacan, 《 The Four Fundamental Concepts of Psychoanalysis, chapter 9

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