「山」的心象與幻象之創作研究

A Research on the Creation of the Mental Imagery and Illusion of “Mountain”

吳靖文(Ching-Wen Wu)

指導教授 ： 郭博州

國立臺灣師範大學/藝術學院/美術學系在職進修碩士班/碩士(2011年)

摘要

藝術創作是創作者對生命與內在精神性表現的心路歷程，透過形式呈現其特有的價值。本創作「山」的心象與幻象，乃源自於個人內心之情感投射與外在視覺經驗的轉化、幻想。也藉由意象聯想來刺激潛意識裡如幻象和夢境般的影像；透過自我之藝術語言轉化成心靈感官之圖象，讓個人藝術創作中的想像世界，實現自我的幻想與發掘更多的可能。「山的心象與幻象」題材多源自於自然風景，從過往的生活經驗、思考和想像為出發點，藉由不同形式的表現，探討人與自然互相加入、互相解放的微妙關係。 　　第一章「緒論」說明研究動機、目的、方法、範圍、名詞解釋。 　　第二章「創作研究之理論基礎」主要藉由心理學、美學與藝術相關理論的啟示，探究和歸納與本創作之關連性。 　　第三章「創作理念與分析」就風景的觀點、拼貼藝術的發展、後現代藝術中的挪用觀念，分別說明。 　　第四章 創作內容與形式、媒材與技法作進一步的分析。 　　第五章「作品解析」分析說明每一件作品。 　　第六章「結論」針對整個創作研究過程之檢討與心得作綜結，並省思未來可能發展方向。

關鍵字

拾得物 ； 心象 ； 幻覺

並列摘要

Artistic creation is a creator’s internal experience of the performance of life and internal spirit. The creation of the mental imagery and illusion of “mountain” comes from the projection of people’s internal emotion, as well as the conversion and imagination of external visual experiences. The work stimulates the illusion and the dream-like images in subconsciousness through imagery association. Through the image of the spiritual sense converted from a self-artistic language, the self-fantasy will be realized in the imaginary world created by the personal artistic creation and more possibilities will be explored out. The materials of “the mental imagery and illusion of mountain” are mainly drawn from the nature. Taking the past life experiences, thinking, imaginations as a starting point, through the performance consisting of different forms, the work discusses the subtle relationship of mutual integration and release between humans and the nature.

Chapter 1 “Abstract”: presents research motives, purpose, method, research scope, and keywords

Chapter 2 “The theoretical foundation of the creation research”: discusses and concludes the connection between the inspiration from the theories related to psychology, aesthetics and arts.

Chapter 3 “Ideas of the creation and the analysis”: explains the perspective of scenery, development of collage art, and the concept of appropriation in post-modern art.

Chapter 4: analyzes the content, forms, media, and techniques of the creation.

Chapter 5 “Analysis of creations”: analyzes and discusses each work.

Chapter 6 “Conclusion”: concludes the self-criticism and feedback of the whole processes of the creation research as well as the possible direction of development in the future.

並列關鍵字

Found Object ； mental imagery ； illusion

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