本研究以莫札特(Wolfgang Amadeus Mozart, 1756-1791)之歌劇《後宮誘逃》(Die Entführung aus dem Serail, 1782)中,男高音角色貝蒙特(Belmonte)為研究主體。筆者選用貝蒙特的重唱曲目為研究範圍,探討該角色在尋愛的旅程中,遭遇各種情境的反應,以及面對其他角色的互動方式;進而找出貝蒙特的個人特質與性格,以及歸納出屬於他的演唱詮釋方向。 筆者將本研究論文分成五大章,首先,第一章為緒論,敘述筆者的研究動機與研究目的;第二章呈現作曲家莫札特,以及劇作家史蒂法尼(Johann Gottlieb Stephanie, 1741-1800)的生平與其創作作品方面的介紹;第三章則詳細介紹《後宮誘逃》一劇的劇本創作及音樂創作之背景;第四章為筆者分析本詮釋報告所選用的四首重唱曲之曲式與和聲,還有演唱以及舞台走位的詮釋;最後,第五章則為筆者總結上述各章之心得。
This essay will focus on the role of tenor Belmonte in Wolfgang Amadeus Mozart's (1756-1791) Opera《Die Entführung aus dem Serail, 1782》, examining his reactions to different circumstances and interactions with the other roles in his journey of searching for love, in order to generalize his personalities and characteristics and lastly acquire the directions for playing this role. The essay will be divided into five chapters. The first chapter is the preface of the motive and purpose of the research; the second chapter is the introduction to Mozart and Stephanie's(1741-1800) life and both their compositions; the third chapter will be the content and background of the Opera 《Die Entführung aus dem Serail》; the analysis of form, harmony, interpretation and stage blocking of the four selected ensembles will be in the fourth chapter; and the fifth chapter is the summary and conclusion of all chapters.