水墨進化論－現代水墨意象構成的創作思維

Evolution of Chinese Ink Art －the thinking of modern Chinese ink creation

林孟德

指導教授 ： 王友俊

國立臺灣師範大學/藝術學院/美術學系/碩士(2005年)

摘要

無資料

關鍵字

意象 ； 構成 ； 象徵 ； 圖像 ； 符號

並列摘要

“Construction of images” is the way that consists of many graphic symbols, which express the complicated inner images of modern people and reflex the creator’s experiences towards his life and society. Its characteristics are usually full of complexity, graphic and fashionable or super-realistic fantasy.

The research is based on traditional experiences, clarifying the inner reality of Chinese ink art and analyzes its “construction of images” through western modern art (such as symbolism, expressionism, surrealism, or abstract experessionism, etc.) We also compare with the creation way of some modern famous Chinese ink art painters, such as Kong-sung Liu, Chun –shiaing Chao, and Chin Show regarding of their process of creating and thinking.

My personal creation expressed in the way of construction of images, which is between the formality and realistic theory. Adapted from the western squared form, with saving the original form of Chinese Ink Art in one way, and paint beyond the real frame of objects. My works creats an awkward feeling by putting ancient animals, such as live fish fossils or shells together with the traditional Chinese ink images, which clarify the inner sense and value of Chinese ink art. Through clarifying the concepts, we will be able to enrich the creation of Chinese ink art.

參考文獻

參考文獻

一、專書

1. 于安瀾編，《畫論叢刊》，台北：華正書局，1984年。

2. 方東美，《中國人的人生觀》，台北：黎明出版社，1980年。

3. 何懷碩，《風格的誕生》，台北：大地出版社，1986年8月四版。