台灣原住民裝飾圖紋在平面設計上之應用研究

Study and Application of Taiwanese Aborigines' Decorative Patterns on Graphic Design

黃志彥(Huang Tyh Yan)

指導教授 ： 張柏舟

國立臺灣師範大學/藝術學院/設計研究所/碩士(2000年)

摘要

一般人對於台灣原住民的印象可能只是「他們很會唱歌跳
舞」，實則其在紋飾創作上的形質生動有趣，表現出與眾不同
的古樸風味。而裝飾圖紋往往是族群身分的表徵，是人們認識
族群的符號系統，因此服飾的紋樣、臉龐上的刻痕、頭上的冠
帽佩帶、具有濃烈民族意涵的圖紋…，這些匯集出來的圖象或
這些圖象的轉化往往成為族群呈現在外的「文化」。
本創作試圖透過對台灣原住民裝飾圖紋的粹取，利用其簡
單的線條分割、幾何圖紋的規律變化、色彩呈現的自然律動，
透過設計的創作，賦與它新的生命，並引領大眾去欣賞原住民
動感、力度的生命結構，進而讓這種「原民之美」進入現代的
生活。
為達上述目的，在方法上以文獻探討和實驗創作進行之。
首先針對台灣原住民裝飾圖紋進行有系統的探討，以了解其裝
飾圖紋的分布、造型及蘊藏其中的深層涵義，並以此為基礎，
進行實驗創作。
創作上，先針對原始圖紋進行單純化、圖案化、幾何形化
，以強化原始圖紋的造形特色﹔色彩上除了運用原住民傳統的
艷麗色彩外，並且引進其較少運用的中間色，使圖像產生迥異
於往的風味﹔再者，應用現代設計的構成技巧，重新組合圖紋
，以增加整體畫面在視覺上的強度。
是以，若能從固有的資產中，擷取吉光片羽，進行調改，
亦能從中創造具有時代性的作品。

關鍵字

台灣原住民 ； 裝飾圖紋 ； 平面設計

並列摘要

People’s impression toward Taiwanese aborigines might
be limited to“ they are inborn singer and dancer”, in fact
their creation in the decorative patterns are vivid and
interesting, which shows the unusual style of primitive simpli-
city. The decorative patterns usually symbolizes one's identity
and status in the clan, the symbolic system that people used to
distinguish different clans, therefore, the patterns in their
clothing, tattoos on their faces as well as the crests and caps
they wear, all carried designs with strong national implication
…, the collection of these patterns or the transformation of
these patterns usually becomes the “Culture” a clan shows to
the people.
Through the collection of the decorative patterns of
Taiwanese aborigines, and by making use of simple line incision,
regular variance of geometric patterns, the natural rhythm of
the color shades, and through creative designing, this study
intended to give it new life, and led the people to appreciate
the aborigines' vital, energetic life structure, then further
introduced this "beauty of aborigines" into the modern life.
Documentary discussion and experimental creation were
adopted in this study in order to achieve the above mentioned
goals. First is the systematic investigation and discussion on
Taiwanese aborigines' decorative patterns, as to know the
dispersion, styling of its decorative patterns as well as its
implication deep within, and use these as the foundation to
make further experimental creations.
In its creation, first is to simplify the primitive
patterns, make these patterns into designs and geometric
patterns in order to intensify the styling characteristics
of the primitive patterns; and for its colors, aside from
the traditional vivid colors often used by the aborigines,
some medium colors that infrequently used were introduced
here to make the tinge of the entire pattern different from
the traditional color combination ; in addition, the
composing techniques of contemporary designing were applied
to reorganize the patterns, and to make the entire picture
visually more intensive.
Therefore, if one collects the creams from the
inherent assets , makes further improvement and reformation
on them, these could then become the representative creation
of the era.

並列關鍵字

Taiwanese Aborigines ； Decorative Pattern ； Graphic Design

參考文獻

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安力•給怒（賴安淋），愛、生命、尊嚴─安力•給怒（賴安淋）

成耆仁（2000），台灣原住民服飾紋飾與其內涵，載於苧綵流霞

岑家梧（1996），圖騰藝術史，台北：地景。