漆藝在工藝製作上裝飾應用之研究

The decoration of in Lacquer Art

劉靜蓉

指導教授 ： 張柏舟

國立臺灣師範大學/藝術學院/設計研究所在職進修碩士班/碩士(2002年)

摘要

本研究以探討漆藝素材與技法的多樣性與豐富性，試圖從傳統漆器裝飾圖案的演進，整理出漆藝技法對漆器的表現功能，並就多種漆藝技法的融合運用，試圖創作出較具精神性與現代感的漆藝品。
傳統工藝品之裝飾圖案，往往因附屬於實用物之上，並受限於物體本身的用途，導致圖案本身並未被視為表現主體，近年來受到中外「漆畫」展覽的推廣下，「漆畫」逐漸獨立於漆器裝飾性圖案之外。因「漆畫」本身具有繪畫性與工藝性之雙重優勢，再加上漆藝技法所蘊含對材質的包容性，拉近了以自由創作之純藝術精神，和實用之裝飾性表現的鴻溝，藉以提昇漆藝品的等級與附加價值，讓漆藝品重新呈現在現代生活空間中。
文中對漆藝技法做較詳細的介紹，試圖突破人們對漆藝的狹隘認知，期望漆藝能成為繼陶與玻璃藝品後人們所熟悉的表現形式，使漆藝的推廣不再受限於「漆」的侷限，進而融入於藝術教學中。

關鍵字

漆藝 ； 工藝 ； 裝飾

並列摘要

This study is to explore the materials and techniques of Lacquer Art and its variety and complexity. It is to reveal the expression of lacquer techniques on Lacquer ware through the development of the traditional decorative lacquer art, and to create more spiritual and contemporary lacquer ware. The decoration on traditional craft used to be created for and only on functional objects, which is limited by its purpose as a functional ornament, but not considered as an art object. In recent years, more and more of the lacquer art exhibitions have taking place all over the world, the lacquer art has becoming rather a new art form than just pictorial decoration as a lacquer ware. Because of its artistic and crafty qualities and its unique techniques, the lacquer art fills the gap between artistic creativity and functional decoration, which brings the lacquer art into a higher level and improves its value, also transforms the lacquer art into the contemporary life.
This article has introduced the lacquer art in detail. It intends to break the stereotype of traditional craft to the public and hope that the lacquer art will win the recognition and become the acknowledged art form after the ceramic and glass art not just “Lacquer”, and eventually becoming part of the art education.

並列關鍵字

Lacquer ； craft ； decorate

參考文獻

柳宗悅 著 1993 《工藝美學》 台北：地景企業股份有限公司

莊伯和 著 1998 《傳統藝術概說，2，台灣傳統工藝》 台北：漢光文化事業股份有限公司

（一）書籍

中國美術全集編輯委員會 編 1998 《中國美術全集，工藝美術編，8，漆器》 台北：錦繡出版社

王正雄等 編 1988《中縣現代漆器藝術》 台中：台中縣立文化中心