透過您的圖書館登入
IP:18.118.165.24
  • 學位論文

日常印記–李文杰繪畫創作研究

Daily Imprint – A Study of Lee, Wen-Jye Painting Creation

指導教授 : 黃進龍
若您是本文的作者,可授權文章由華藝線上圖書館中協助推廣。

摘要


歷史脈絡、生活痕跡、時代記憶、人文景緻,總是利用報紙、新聞、手記、文字、攝影、生活器具等各種形式與蛛絲馬跡為所保留、見證並傳遞著,任何形式都能代表時代的印記與歷史文明發展的足跡,對於人們而言,除了文明發展見證與紀錄的意義外,也飽含著屬於不同時代人文的情懷、緬懷、共鳴與寄情,藉由作品傳遞個人情感比文字史料,更直接讓觀者清楚看到屬於當時代的社會與風俗民情。 本論文第一章將針對本研究主題、動機與目的、研究範疇、論文架構加以闡述;第二章則由各個面向探討日常印記的脈絡、情感觸動、創作表達與詮釋、時代意義、與藝術的關聯與價值;第三章著重於筆者個人創作的實踐,將針對創作理念、創作內容與形式、三種創作形式(版畫、油畫、複合媒材)的媒材與技法逐一說明;第四章為作品說明,筆者將分別逐一介紹三種類型的作品詮釋;第五章則為此研究作總結,分享個人創作實踐的想法與見解,及未來創作上的期許。 本創作研究以「日常印記」為主題,探討其生活的理解、情感表達與時代意義等相關衍生的人文情感意念與脈絡,並藉由藝術創作的實踐與論述、自我情感及記憶的紀錄與表達,烙印下筆者對於時代生活的體悟與反芻,並加以闡述及聚焦系列創作的作品,展現日常印記的不同詮釋與表達,以觀見筆者蘊藏其中的情感訊息,揭示日常印記的生活題材繪畫與創作的深刻時代意義、生命理解與文化內涵。

並列摘要


The historical context, traces of life, memories of the times, and cultural landscapes are always preserved, witnessed and passed on using newspapers, news, notes, writing, photography, living utensils and other forms and clues. Any form can represent the impression of the times and the footprint of the development of historical civilization. For people, in addition to the significance of witnessing and recording the development of civilization, it also contains the humanistic feelings, remembrance, sympathy and sentiment of different eras, which are conveyed by works Personal emotions are more direct than written historical materials, allowing viewers to clearly see the society and customs of the time. The first chapter of this master's thesis will explain the research theme, motivation and purpose, research scope, and thesis structure. The second chapter will discuss the context of daily imprints, emotional touch, creative expression and interpretation, meaning of the times, and art from various aspects. The third chapter focuses on the author’s personal creative practice, and will explain the creative concept, creative content and form, and the media and techniques of the three creative forms (prints, oil paintings, and composite media) one by one; the fourth chapter is In the description of the work. The author will introduce the three types of work interpretations one by one; Chapter 5 summarizes this research, sharing personal creative practice thoughts and insights, and future creative expectations. This creative study takes "Daily Imprints" as the theme, explores the humanistic and emotional ideas and context derived from the understanding of life, emotional expression and the meaning of the times, and uses the practice and discourse of artistic creation, the recording and expression of self-emotion and memory. Imprinted the author’s perception and regurgitation of the life of the times, and elaborated and focused on the series of works, showing different interpretations and expressions of daily imprints. In order to see the emotional information contained in the author, revealing the daily imprints of life-themed paintings and creations, the profound meaning of the times, understanding of life and cultural connotation.

參考文獻


中文書籍:
1. 史作檉著,《光影中遇見林布蘭》,臺北:典藏藝術家庭,2006,p.11
2. 朱光潛著,《文藝心理學》,臺北:開明書局,1980,p.201
3. 何懷碩著,《給未來的藝術家》,新北:立緒文化,2003,p.119
4. 吳光庭著,《城市風格與建築形式》,1994,臺北:文建會,P.9

延伸閱讀