「物、我」凝朔日常 ~ 林俐瑋繪畫創作研究

摘要本創作研究藉由描繪筆者家人肖像與物件之關聯，探討內心的思維與生活情境之間關係，以及對於森林、竹子等風景題材研究，探討自身在快速流動的社會中，意欲回到本我的的內心感受。第一章「緒論」，素樸、無色彩的素描，一直是我個人喜歡的表現形式，從灰階變化中尋找屬於個人的內心名狀，清平、無爭、淡然、明晰。我以一系列素描作品表達個人心境與生命觀。嘗試於植物造型與個人生命經驗之間，尋找心境上的矛盾與心靈的對話關係，經由鉛筆與紙張間一筆筆的磨痕呈現心境與畫面之間的關聯。第二章，「創作學理」研究與自我相關之藝術流派，第一節以台灣寫實藝術發展為主要研究，將寫實藝術作一耙梳，希冀在浩瀚藝術洪流中尋找自我在寫實範疇中的脈絡，而能有一努力方向。第二節研究當代寫實藝術的多樣性，以媒材的多元表現為研究範圍。第三節主要研究素描與手稿的關係及其重要性，此節並以當代幾位國內外重要藝術家為研究及學習目標。第三章「創作理念」，第一節以亞瑟‧丹托（Arthur Coleman Danto﹐1924－2013）在《美的濫用》一書中提及畫作隱含觀者的格局為起始，作者以作品創造了一個具有臨場感的氛圍，筆者在緩慢的細節描繪中，帶給觀眾一股緩緩的生命歷程，是一種日常，也是日常虛掩下的經歷。第二節談到在啟蒙時代的思想中，崇高不同於美感之處而在於其能震撼人心，他超越了我們能測量以及理解的範圍，重要的是，讓我們不會感覺到畏懼。創作成為自我追求和感動的過程。第三節以杜甫的詩為起始，探討竹山小鎮出身的我，從小生長在有絲竹的環境裡，無論看的用的都有竹的存在，因此竹對我個人而言更有一份親切感，畫竹成為一種內心的既定。第四章，「作品分析」談論我的創作作品並詮釋創作題材之象徵意涵以及鉛筆畫之於我的創作目的。針對大自然處於時間和空間中的系列探討，尤其是物體的光影、明暗、層次、質感、及存在感等等。第五章，「結論」，此章節總結研究成果及個人創作心得，藝術家透過作品呈現自我生命歷程，從內心挖掘也一次次省視自我。創作是一條無止盡的，且沒有終點的道路，「追尋」成為生命的代名詞，本研究只能做到階段性成果，未來還有漫長道路，雖感自身能力有限，但我將努力潛行，一步步邁向心靈深處的彼岸。關鍵字：寫實、跨寫實、鄉土寫實、物我、凝朔日常

關鍵字

寫實；跨寫實；鄉土寫實；物我；凝朔日常

並列摘要

Abstract This study explores the relationship between my inner thoughts and life circumstances through associating family portraits and objects. It also discusses my intention to revisit inner feelings in a society of rapid changes through a research on the topic of forest and bamboo landscape. Chapter One, "Introduction," discusses how I have always preferred plain, colorless sketch drawings, which allow me to explore personal emotions in grayscale that is calm, impartial, tranquil, and lucid. I express my state of mind and view on life through a series of sketches, reaching a sense of inner peace and balance by combining the forms of plants and personal life experience. Every pencil stroke on paper outlines the contour that connects the mind and the image. Chapter Two, " Theoretical Foundation of Artistic Creation," discusses the artistic schools that are related to my work. The first section focuses on the development of realistic art in Taiwan, providing a systematic introduction as well as contextualizing my own art in the course of art history and defining the trajectory of my artistic career. The second section addresses the diversity of contemporary realistic art and the diversified expression of media. The third section studies the relationship between sketch drawings and drawing manuscripts as well as their importance. Chapter Three, "Artistic Concept," begins with an idea mentioned by Arthur Coleman Danto (1924-2013) in his The Abuse of Beauty, stating that paintings imply the scale of their viewer. The painter creates a sense of place with paintings so that the viewer can enter the narrative created by the artist. The second section discusses how the sublime differs from a sense of beauty in Enlightenment thinking because the former creates an impact on one's mind and surpasses human being's ability to fathom and comprehend. Importantly, it does not induce the sense of fear in us. Therefore, artistic creation becomes a process of pursuing and moving oneself. Every single thing in the image carries its own significance and symbolic meaning as artistic creation becomes something one relies on in a bustling life. The third section opens with a poem by Du Fu, and portrays my childhood in Chushan, where bamboo abundant grows and is used in many aspects of life. Hence, bamboo feels particularly familiar to me, and painting bamboo is only natural. Chap In ter Four, "Artwork Analysis," I examine my work and explain the symbolic meaning of my subject matter as well as my creative intention of employing pencil drawing. The chapter centers on a series of discussion about the great nature in time and space, especially the light and shade, brightness and shadow, layer, texture, and presence of an object. Chapter Five, "Conclusion," sums up the achievements and personal thoughts gained through the study. Artists unfurl their journey of life through their works, venturing into the mind and repeatedly examining the self. Artistic creation is an endless journey that promises no final destination, and life is like a "quest." This study can only achieve initial success as there is still a long way ahead. Although my ability is limited, I shall progress slowly and steadfastly, reaching into the depth of the mind step by step. Keywords: Realism, Cross Realism, Local Realism, Object, Self ,Coagulating the Quotidian