愛戀神情－人像水彩創作研究

本研究基於筆者的創作風格與經歷，選擇以人物肖像為主的表現題材，藉以表達對於女性愛情觀點的描述，因此相較於單純的人物肖像，本系列創作更偏向對於人與之間相處的思考投射，試圖讓觀者與畫中人物有所共鳴。以肖像為主體的作品，在美術史與當代的的藝術創作中相當常見，而在工業革命後攝影技術的出現，使繪畫不再是唯一記錄人物或景物的方式，更不會是一般人用來保留當下人與地的任何形式之感動。筆者以此因素，遂更加想透過畫筆來詮釋人物的神情，並更加針對「女性愛情」的表情，輔以中國文學、詩詞的代言體部分，透過女性觀點來表現關於愛情的詮釋，揣摩畫面中模特兒內心感受，進而使觀者也能有另一番故事的體驗。在研究目的方面，本研究除了希望更深入探究水性媒材的使用外，筆者更希望透過觀察人物肖像作品，來成就自身對生命與社會的體認，希冀以此系列創作也能喚起觀者對於週遭事物人群的關懷與體諒，進而促進人與人之間的和諧。本論文第一章內容闡述了筆者創作的研究動機與方法，第二章敘述了關於攝影的輔助與透過女性觀點的代言體詩詞文章，第三章則為筆者結合了人像攝影與肖像畫的創作理念，第四章是作品說明，第五章為綜合上述所有論述所做之結論。

關鍵字

女性愛情；肖像；代言體

並列摘要

This study is basic on the writer’s create style and experience, I choose portrait as hmy performance martial, showing my standpoint about love, comparing with the original portrait pieces, this series has more enactment with our human-beings. The writer is trying to make as much as refection within visitors and man in the picture. It is really common using portrait as the main work of art in modern art creation. However, with the photography skills appear in industry times, painting is no longer the only way to memorize people or landscape, not mention the general ways to preserve any kind of moment which make you feel joyful. Under this condition, it evoke the writer want to show human’s faces through paintings, especially” women love” , with the support of Chinese literature and poems, writer tries to stand in their shoes and wish bring the same experience to the visitors. In the aspect for research, writer hoping not only to look into the use of aqueous medium but also remind people care and appreciate out society though portrait. To provoke the harmonious between man-kinds.