中西圖像融合-劉寶鳳水墨創作論述

繪畫可以將生命中微小的感受具體呈現，當中蘊含著美學的禪意，也無須刻意表現。許多人都在這樣的禪意中尋找生命的微意，這也是作者論文研究的動機與目的。傳統東方水墨的特色是讓人在虛實有無當中去感受畫作意境，而西方繪畫的特色在於深入的色彩科學研究，如原色的運用、色彩純度、陰暗明度等的強調。本文將藉由東方水墨的寫意與西方畫作的色彩，來說明東、西方在畫作空間上的美學觀點。本論文研究範圍主要建構於下列三部分：第一、東方水墨與西方繪畫的共同性。第二、東方水墨與西方繪畫的形式探究。第三、創作主題的論述。在創作理念方面，本文將分析東西藝術相互表現的關係探討進行說明。當中包含東西方畫在技法、美學觀上所呈現的線條與空間表現，以作為個人作品分析的創作基礎。傳統與創新雖是相對物，但卻相互依存，期望這樣的創新能在傳統的既有基礎上注入新的生命。

關鍵字

圖像融合；水墨

並列摘要

Paintings could present the feelings in life. They contain the Zen aesthetic and do not need to present deliberately. Many people are looking for the true meaning of life from the Zen within the paintings. It is the core issue of this paper. The characteristic of traditional Oriental ink painting is that people feel the conception of the painting from the real and imaginations. The Western painting focuses on the research of color, such as the use of primary colors, color purity, brightness, etc. This paper analyzes the aesthetic viewpoints of conceptions in ink paintings and colors in Western paintings from the perspective of image fusion. There are three parts in this paper. First is the common characteristics between Oriental ink painting and Western painting. Second is the analysis of the forms of oriental ink painting and Western painting. The last part is the discussion about themes of those paintings. In issuing the idea of painting, this paper analyzes the mutual relationship of Oriental and Western arts. Which contains the points of aesthetics and skills presented by lines and space in Oriental and Western paintings as the basis to analyze individual works. With the infusion of creative ideas into the tradition, the painting thus has a new life and the meanings of art are raised to another level.