賴瑋綺《玩音樂》油畫創作論述

現代人們最頻繁的藝術活動，當屬繪畫與音樂的創作與欣賞了；利用一個假日，白天去美術館參觀藝術展品，晚上去音樂廳欣賞音樂表演，一整天沈浸在美的視覺與聽覺響宴中，讓工作壓力得以舒緩，也同時讓人類天賦的美感獲得滋養。而繪畫與音樂分屬視覺與聽覺兩大藝術門類，憑藉的媒材雖截然不同，但卻存在著某種關聯。從歷史的眼光來看，人類在同時期同地緣的藝術表現，大部份是基於藝術家與當下所處環境的互動，以及藝術家之間彼此的影響所產出的結果。換言之，不同的藝術形式表現，卻具有類似或相通的藝術內涵，可謂是社會文化演變過程中的自然現象。本論文乃建立在繪畫與音樂藝術感通的認知上，以合唱音樂為出發點，採用英國詩人克里斯多夫．斯謨所創「玩音樂(musicking)」一詞來定義創作元素：玩音樂是指任何一種參與音樂的演出，無論是演奏、聆聽、綵排、練習、為演出提供素材或舞蹈等皆屬之。經由「玩音樂」所激發的靈感，投以創作者本身的記憶與情感，實踐於繪畫創作中。透過美術史的文獻蒐集與整理探討，建構出本創作論述，主要包含：（一）創作動機（二）文獻探討統整（三）創作實踐（四）作品賞析（五）結論等五部份，藉由本研究的探索與修正，持續擴展個人創作的發展內涵與風格。

關鍵字

藝術感通；繪畫與音樂；玩音樂

並列摘要

In the modern world, the art activities that people are most frequently involved are creating or appreciating paintings or music. On a day off, a person may visit an art gallery during the day while going to a concert at night. A whole day spent immersed in the visual beauty and auditory feast can not only help relieve the work-related stress, but also nurture the aesthetic sense we're born with. Painting and music belong to two different art categories- visual and auditory, respectively. There is some sort of connection between the two art forms in spite of the distinctively different mediums employed. From a historical perspective, the art presentation of the people residing in the same area at the same time, is based on the artists' interaction with the environment as well as among themselves. In another word, it's natural in the cultural revolution to find similar (or somehow connected) essence of art in spite of the different art forms employed. Created on the basis of art correspondence of painting and music, the study used choral music as the starting point and adopted the creation element "musicking" defined by Christopher Small. "Musicking" refers to the involvement of any form of musical performance, be it performing, listening, rehearsing, providing performance input, or dancing to the music. Inspired by musicking, the author incorporated personal memories and feelings into creating the paintings. Coupled with the learning through collecting, organizing and analyzing the literature related to art history, the author created her thesis, which composed of the following sections: 1)the motivations of creation, 2)literature organizing and analysis, 3)actualization in painting creation, 4)work appreciation and analysis, 5)conclusion. Through this study, the author continues to explore and expand her creative essences and style in the future.