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  • 學位論文

顛倒世界-賴煥宇創作論述

The World Reversed and Image Creation Descriptions of Lai Huan-Yu

指導教授 : 莊連東
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摘要


摘要 本「顛倒」創作形式,出於筆者對水墨畫的喜愛,和對宇宙起源、地球生命、人生抉擇、困境化解、婚姻關係、理想居家、處世態度等面向的關懷,藉由水墨畫藝術創作的現代新意,來表達「顛倒世界」創作形態的理念和旨趣,希望能使觀看者容易與自身生活經驗連結在一起,並從中感受到:   一、東方傳統水墨畫的基礎是渾厚的,現代水墨畫創作理念和技巧是活絡的,新舊社會思維是可以整合的,陰陽哲學是可用運用來以促進個人與宇宙之間永續連結的。   二、水墨畫創作中具象和意象的表現方式,透過人體眼睛視覺的功用和心靈之眼的感知,不同的結合,可以創造異次元空間元素視覺之“衝突再和諧”的現代風格。   三、從此次水墨畫「顛倒」方式創作,匯整東西方藝術的特色,觸及現代人的生命核心價值所在。   聖經上說:起初,地是空虛混沌,淵面黑暗。這是聖經對於宇宙形成的生動描述,世界各地都有豐富的神話廣為流傳,而現代人該何去何從呢?因此筆者用「顛倒世界」做為觀點來研究,希望可以幫助我們擴大對現代水墨畫及社會人文的真、善、美、奇、趣之新視界。 關鍵字:顛倒世界、異次元、衝突與再和諧。

並列摘要


Abstract  The conformation of my creative style “The World Reversed” arises from my love of ink wash painting as well as my fondness on the origins of the universe, creatures of the earth, life choices, resolution of difficulties, marital relations, ideal styles of living and the home, and attitudes towards life. Using modern ideas of ink wash painting techniques, “The World Reversed” purports to express my creative vision for these said topics. I hope to assist viewers as they relate their personal life experiences through the creative work in the sense that:  1.The traditional oriental ink wash painting foundation is rich and deep while the modern skill and purport of ink wash painting come through as lively and vigorous; as a result, ideas of the traditional and the modern are integrated. The philosophy of yin and yang can be applied to improve the sustainable connection between human beings and the universe.  2.The ink wash painting consists of concrete and abstract expressions. Visual components are seen both through the lenses of the external physical eyes and internally, within the complete consciousness of the minds eye, resulting in the possibility of uniting once fragmented elements of different dimensions of vision; finally, it is realized in a modern style of “post-conflict harmony.” In combining both eastern and western art styles, the creation of “The World Reversed” touches at many of the core values of our modern lives.  3.It was said in Bible: in the beginning, the earth was formless and empty, and darkness was over the surface of the deep.  Therefore, I use this concept of “The World Reversed” to help introduce perspectives for exploring these concepts. With this work, a hope is to expand and broaden on a new horizon of truth, goodness, beauty, uniqueness, eventually stimulating a curiosity in the fabric of social humanity explored through the medium of modern ink wash painting. Keywords: The World Reversed, different dimensions, post-conflict harmony.

參考文獻


專刊書籍:
陳傳席著,《中國繪畫理論史》,三民書局,2013年。
何懷碩著,《風格的誕生》,大地,1981年。
(Michael Suplivan)蘇立文著,《中國藝術史》,南天書局,1992年。
高階秀爾著,新形象編輯譯,《西洋美術史》,新形象出版,1992年。

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