閒賞山水畫山水〜王素珍水墨創作論述〜

論文題目：《閒賞山水畫山水》，以「閒賞」的審美觀看視野，作為本論文的座標。而論文探討的時間深度，從渾沌的神話開始，一路走向線性的歷史。因此，神話的山水觀，是本論文的切入口，繼而臚列分述山水進入歷史後，分別在儒家和道家哲人們的觀看下，自然山水如何被披上人文哲思。以及騷人墨客的敏銳感官，及其五色彩筆的揮灑，山水又是ㄧ番綺妮風采了。除了厚實了閒賞山水的奇「趣」外，山水也成為藝術家們，創作取材的後花園。自然山水因神話、哲人與詩人不斷增衍其意之下，使得閒賞山水與畫山水的樂趣，增添了不同時空，才能疊映出的厚實感，其生發的妙意與層次，更是姿態萬千的。而山水畫外的曲終江上之致，也因時空的積澱下，吹拂的更為詩情畫意。

關鍵字

閒賞；山水；台灣；水墨；美學；氣化

並列摘要

The thesis title is “Leisurely enjoying the landscape and painting the landscape”. I want to use ”leisurely-enjoying” aesthetic to be the coordinate of this thesis. The scope of this thesis commences from the myths of chaos and terminates at linear history. The landscape opinion of myths was the starting point, after the landscape entered into history, due to the viewpoints of Confucianism and Taoism, the nature landscape was given a kind of philosophy thinking. Due to writers’ and poets’ acumen and their colorful brush, the landscape became more elegant and beautiful. Besides increasing the pleasure of Leisurely enjoying, the landscape provided a large amount of material to artists. Due to striving by myths, poets and Philosophers, nature landscape enhances its connotation, then leisurely-enjoying landscape and painting the landscape become more interesting. Combining with its respective time and space, the landscape showed its changeable styles and wits. Time and space also make the underlying meaning of landscape more poetic.