花漾．蝶舞-王美美意象彩墨創作論述

藝術家創作的創意常來自於四面八方，因此，大自然的絕美景色成為藝術家經常取材的對象已不足為奇，而大自然的景物中，最絢爛、繽紛、多彩的花和蝴蝶更是常被拿來當作古典、現代文學、戲劇…等藝術中取材的對象，也往往被拿來比喻相互依存的關係。本次創作研究以「花漾．蝶舞」為主題，創作的內容以大自然中的「花卉」及「蝴蝶」為範圍，創作取材將以實際造訪大自然後，照相、寫生為主，閱讀及想像造境為輔；在構圖上，以模糊美為主，實景為輔。個人創作靈感來源，將擷取擅畫花和蝴蝶之中西藝術家之長，兼採旋轉畫及寫意畫…等媒材、技法，表現筆者於欣賞大自然的造物之作(「花卉」及「蝴蝶」)時內心的激盪與感動，期望作品能引起觀者共鳴，從而激發美的情感與生命的力量。本論文研究時將從文學、符號學及藝術史(中國的畫論與西方的審美學)的角度切入，本論文之基本架構如下：第一章為「緒論」：將闡述個人研究動機與目的、研究內容範圍、研究方法與步驟及名詞解釋。第二章「創作學理依據」探討花與蝴蝶在中西畫論與文學意象以及瑞士符號學泰斗索緒爾、美國實用主義學家皮爾斯、與法國符號學家羅蘭．巴特對圖像符號定義，進而衍生出對花與蝴蝶的象徵意涵。同時引述中、西方專家學者以美學的角度來探討自然美的意義。第三章探討東、西方擅畫花卉與蝴蝶畫家的藝術表現，以為個人創作之靈感來源，增加創作時的豐富性及多樣性。第四章論述『花漾．蝶舞』創作系列「誕生」、「夢與蟄伏」、「蛻變與成長」、「花與蝶」之創作理念與作品形式表現解析。第五章：結論與未來展望：述說筆者研究與創作過程省思與未來展望，論述己身對未來的自我期許，在「傳統」與「現代」藝術之間、「東方」與「西方」藝術之中取得平衡，創造出引人共鳴、感動的作品。

關鍵字

自然美；模糊美；符號學；象徵；意象

並列摘要

The artist's creative ideas often come from all directions， so it's no wonder that the beauty of nature is an object that artists often draw from. Among nature's scenes， the most gorgeous， colorful flowers and butterflies are often used as objects drawn from the arts of classical， modern literature， drama， etc.， and they are often used as metaphors for interdependent relationships. The creation of the study to "Swaying flowers and Dancing butterflies." as the theme， the content of the creation of nature in the" Flowers "and" Butterflies"as a range， the creation of materials will be the actual visit to nature， photography， painting， reading and imagination as a supplement， composition， based on fuzzy beauty， real scenery is secondary. My creative inspiration comes from the advantages of Chinese and Western artists who are good at painting flowers and butterflies， as well as materials such as rotating paintings and freehand drawings， and material techniques used by the author to appreciate the creations of nature ("Flowers" and "Butterflies" )， in the time when it was hoped that the artwork would arouse the viewer's resonance， thereby stimulating the beauty's emotions and the power of life. This thesis will be studied from the perspective of literature， semiotics and art history (Chinese painting theory and western aesthetics). The basic structure of this paper is as follows: The first chapter is "introduction": It will explain the motivation and purpose of individual research， the scope of research， the research methods and procedures， and the interpretation of terms. The second Chapter discussed the creation doctrine by exploring the flower and butterfly in Western painting theory and literary imagery and symbol expert Ferdinand de Saussure， Peirce Charles Sanders and Roland Barthes Gérard definition of image symbol and thus derived from the flower and butterfly symbolic meaning. In the third Chapter， exploring the eastern and western paintings of flowers and butterfly painters in artistic expression， thought that inspired the creation of the individual and to increase the richness of creativity and diversity. The fourth chapter discusses the creation ideas and works of the creation series of "Birth，" "Dream and Hibernation，" "Transmutation and Growth，" and "Flower and Butterfly." In the Chapter fifth， Conclusions and future prospects: discussing about my research and creative process shall be improvements， and my vision for the future to the "traditional" and "modern" art， as well as between the east and the west to strike a balance between artistic and thereby create compelling and moving works.