- 學位論文
「KUSO」與閱聽人之關係——以龍之家族樂團為例
The Relationship Between 「KUSO」 and Audiences -- A Case Study of Dragon Family Band
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摘要
摘要 「KUSO」一詞源自於日文，透過網路詞語的借用與時間演化，使「KUSO」在中文語意上有別於日語的解釋。中文脈絡裡的「KUSO」，係指以諧擬、嘲諷其他文本為主要特徵的幽默文本，利用並置、拼湊等方式對於一個或多個原始文本進行的再創作。 顯而易見的是，「KUSO」一詞未出現在中文脈絡前，也是有其概念之文本存在的。而本研究針對當前所知的「KUSO」一詞，依此詞在中文脈絡誕生、於學術裡也有較明確定義後，根據眾多文獻整理可以得知「KUSO」文本的平台與形式，從早期多半在網路上以文字、圖像、音樂、影像……等方式呈現，近而也有以表演藝術方式呈現之。 「龍之家族」樂團其團員原為五月天樂團的技師們，主要負責協助五月天處理器材、試音與彩排……等。擁有搖滾樂背景，且熟知彈奏五月天歌曲的團員們，經常於試音、彩排時擅改歌詞、即興接歌，利用工作之時自娛娛人隨性演出。由技師團團員組成的「龍之家族」樂團，於2005年首次舉辦售票演出，並以五月天Final Home 演唱會為文本，篡位擔任五月天五人職位，「KUSO」其演唱會內容。接著在2010年、2013年亦分別「KUSO」五月天「DNA」與「諾亞方舟」演唱會內容，進行售票演出。 本研究將以「龍之家族」樂團為例，了解表演者如何將演唱會文本進行KUSO文本的再造（其所使用的文本符號以及挪用方式、呈現手法與其之心態），亦試著探討KUSO現象與「閱聽人」之間可能存在的關係。 關鍵字：KUSO、龍之家族、閱聽人
並列摘要
Abstract “KUSO” is a term originated in Japanese. After the introduction of this word into Taiwan’s internet world and several years of development, the meaning of “KUSO” in Chinese became different from its original meaning in Japanese. In Chinese, “KUSO” means a humorous work making fun of another work by parody or ironic imitation. In other word, “KUSO” is a process or product of re-creating one or more original works by juxtaposition or collage. Obviously, before the term “KUSO” appears in Chinese, works with similar concept already exist. However, only after this term show up in Chinese, the academic world could finally develop a clearer definition for this kind of works. Previous study shows that the “KUSO” works often appear on the internet as words, images, music, video, etc. in the early days, and then developed into the form of performing art recently. The members of the rock band “Dragon Family” are former technicians who worked for another band “Mayday.” Their main job was to help “Mayday” with musical instrument adjustment, sound check, rehearsal, etc. Since they have rock music background and are familiar with every song of “Mayday,” they often change the lyrics or randomly mix-up different songs to amuse themselves and others when working. This formed-by-technicians rock band held their first commercial concert in 2005, using one of Mayday’s concerts “Final Home” as the base to KUSO, wherein they mimic Mayday’s five members on the stage. After that, in 2010 and 2013, they held two more commercial concerts which are humorous adaptations of Mayday’s concerts “DNA” and “NOW-HERE World Tour.” In the present research, the band “Dragon Family” is taken as an example to analyze the performer’s methods and attitude of adaptation, the style of re-creation, and the signs used in the works. In addition, this research also seeks to figure out the meaning potentials between the phenomenon of “KUSO” and the audience. Keywords: KUSO, Dragon Family, audience
參考文獻
參考書目
英文論文
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