童妮˙莫里森的《爵士樂》與《家》中黑人男性特質的重構

The Re-formation of Black Masculinity in Toni Morrison’s Jazz and Home

賴怡頻(Lai Yi-Ping)

指導教授 ： 蔡佳瑾 ； 李秀娟

國立臺灣師範大學/文學院/英語學系/碩士(2017年)

https://doi.org/10.6345/NTNU202202254

摘要

本論文研究童妮˙莫里森的《爵士樂》與《家》中男性特質如何藉由與配偶及手足等女性的互動而重構其黑人男性特質。在《爵士樂》中，爵士樂的音樂結構顯示了喬的黑人男性特是由於情人們的安慰而獲得重構。在《家》中，法蘭克的黑人男性特質重構乃是藉由妹妹的撫慰。

關鍵字

童妮˙莫里森 ； 爵士樂 ； 家 ； 黑人男性特質 ； 男女關係

並列摘要

In this thesis, I will focus on Jazz and Home to examine black masculinity developed in the relationships with women, spouses, and siblings through men’s interactions with women. In Jazz, Joe’s masculinity is shown to be re-formed with the help of his lovers in the structure of jazz music. In Home, Frank’s masculinity is re-formed due to his sister’s consoling.

並列關鍵字

Toni Morrison ； Jazz ； Home ； Black Masculinity ； Men and Women's Relationship

參考文獻

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Bluest Eye and Mahashweta Devi's Rudali.” International Journal of English and Literature (IJEL): 5.5 (2015): 97-102. Web. 19 Mar 2017.

Bjork, Patrick Bryce. The Novels of Toni Morrison: The Search for Self and Place Within the Community. New York: Peter Lang Publish, 1996. Print.

Bollen, Christopher. “Interview with Toni Morrison.” Interview Magazine n.d. (2012): 38-41. Web. 9 Jan. 2017.