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  • 學位論文

時間入畫——張琪昌繪畫創作論述

Expression of time in paintings - A Study of Zhang QiChang's Painting

指導教授 : 陳淑華
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摘要


本研究以「時間」作為主軸,來探討時間的呈現和表達方式與繪畫之間複雜的關係。在此期間,筆者把創作的視角投向日常生活身邊熟悉的人物,藉由具象寫實的手法,從人物的形象及複雜的性格來表現這個時代人們內心情境或是年輕人的心理特徵。並透過研究對其他藝術家如何在藝術中表現時間性的詮釋手法及觀點進行比較分析,目的在於充實筆者自身的藝術知識,繼而釐清個人的創作的方向及脈絡,豐富作品的內涵,提高自身創作之格局。 「時間」作為一種抽象的概念,在各個領域中引起廣泛的探討,成為重要的議題。本研究筆者通過對繪畫創作中的時間進行分析探討,筆者認為「時間意味著生命的流變,生命體現了時間的存在」。在當今的時代,藝術品作為產品被包裝,它打破了藝術在人類感情上的層次感。如何把包裝一層一層的拆開,看到最本質的東西變得尤其重要。筆者希望透過創作實踐,從中探討時間與生命之間複雜的關係,表達出這個時代年輕人青春期真實存在的心理變化。 本研究筆者透過《記憶系列》、《青春組畫系列》、《時光系列》、《靜靜的時光系列》這四個系列作品來探討繪畫中的時間議題,從記憶、光影、生活場景來探討繪畫的時間氛圍。筆者透過創作實踐與表現意涵緊密地融合一起,使創作意涵藉由畫面更能準確直觀地傳達給觀眾。

並列摘要


In this study, with “time” as the spindle, it discusses the complex relationship between time’s expression and ways of expression and the painting. In the meantime, the author focuses his perspective on the people around him in daily life, and reveals the psychological characteristics of people, especially the young people of this era, by demonstrating their images and complex characters in figurative realistic approach. And also by studying how other artists express “time” in their artworks and understanding their point of view, the author aims to enrich his own knowledge of art and thus figures out the direction and route of his own creation, enriches content of the work, and enhances his level of creation. As an abstract concept, "time" is widely discussed in various fields and becoming an important subject. In this study, by analyzing “time” in the art creations, the author believes that “time” means the flow of life while life reflects the existence of time. In today's era, packaged as a product, works of art breaks the layer sense of art over human’s emotions. It is then becoming important to open the package layer by layer and see the most essential things. The author hopes to figure out the psychological changes that truly exist in the young people during their teenage, by exploring the complex relationship between time and life through creation practice. In this study, the author reviews four series of works, including "Memory Series”, "Youth Group Painting Series", "Time Series" and "Quiet Time Series”, to explore time issues in artworks, and discuss about time atmosphere in paintings from views of memory, light and shadow, and life scenes. Through close combination of creation practice and expression implications, the author vividly and accurately conveys ideas of creation to readers through pictures.

參考文獻


一、中文書目
1.王林 著,《美術形態學》,亞太圖書出版社,1993。
2.朱其 著,《形象的模糊:里希特藝術筆記和訪談》,湖南美術出版社,2007。
3.吳冠中 著,陳瑞獻 編,《要藝術不要命》,台北:遠景出版,1990。
4.郭文堉 著,《西方美術史要》,天津人民美術出版社,1993。

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