史特拉溫斯基舞劇《普欽內拉》（Pulcinella）之音樂研究

Musical Study of the Stravinsky’s Ballet Music “Pulcinella”

許佳涵(Shu Chia-Han)

指導教授 ： 陳漢金

國立臺灣師範大學/音樂學院/音樂學系/碩士(2019年)

https://doi.org/10.6345/NTNU201900052

摘要

1920年史特拉溫斯基的舞劇《普欽內拉》在巴黎歌劇院首演，這是他與馬辛、畢卡索，以及狄亞格烈夫所帶領的俄國舞團共同精心製作的作品。透過他們在1917-1918年間幾次的義大利參訪中，《普欽內拉》的想法逐漸成形。這部舞劇最核心的理念是要復興義大利即興喜劇，在某一方面也是響應世界大戰後的藝術復興潮流，而史特拉溫斯基也藉由這部作品開啟了他往後新古典主義的發展。

《普欽內拉》的音樂是史特拉溫斯基從裴哥雷西與幾位十八世紀作曲家的作品改編而來的，其中包含了20首樂曲。史特拉溫斯基將這20首樂曲改編並串連起來，成為全長35分鐘的舞劇音樂。《普欽內拉》的成功讓史特拉溫斯基陸續將這首作品改寫成各種音樂會形式的版本，其中最著名的就是《義大利組曲》。

本論文主要為《普欽內拉》的音樂研究，但為了理解整個舞劇音樂的創作過程與理念，在前半部除了介紹史特拉溫斯基與狄亞格烈夫外，還是會談到美術與舞蹈的製作背景；而後半部會先從原著手稿開始進行研究，繼而將《普欽內拉》與原著從音樂語法、管弦樂與聲樂的角度進行比對分析。最後，筆者希望藉由此論文，能讓讀者更能理解《普欽內拉》的音樂內涵。

關鍵字

普欽內拉 ； 史特拉溫斯基 ； 馬辛 ； 畢卡索 ； 狄亞格烈夫 ； 俄國舞團 ； 裴哥雷西 ； 新古典主義 ； 即興喜劇

並列摘要

The ballet “Pulcinella” by Igor Stravinsky premiered at the Paris Opera in 1920. It is an elaborative work that Stravinsky collaborated with Léonide Massine, Pablo Picasso, and
the Ballets Russes led by Sergei Diaghilev. Inspired by the visit to Italy during 1917-1918, the idea of “Pulcinella” was gradually forming among them. The core concept of this ballet was to revive Commedia dell'arte. To a certain degree, this piece not only corresponded to the trend of the revival in Art after World War I , but also helped Stravinsky’s development in Neo-Classicism.

The music in “Pulcinella” was adapted from Pergolesi and some 18th century composers’ works. It contained 20 pieces of music in total, Stravinsky put them in series and made these 20 pieces into a 35-minutes long ballet music. He rearranged the music into various versions of concert pieces due to the big success of “Pulcinella”, the most famous one is “Suite Italienne”

The main focus in this dissertation would be the music of “Pulcinella.” In order to understand the whole creative process and concept of the Ballet Music “Pulcinella”, the author would introduce the life of Stravinsky and Diaghilev, then talk about the background of art and dance making in this ballet in the first half of the paper. The second half would start with the research on the original musical source, and further more compare the original text of " Pulcinella " with the original script, and try to analyze from the perspectives of music musical syntax, orchestral and vocal angles. In conclusion, the author hopes that through reading this dissertation, readers will have a better understanding of the musical connotation of "Pulcinella".

並列關鍵字

Igor Stravinsky ； Léonide Massine ； Pablo Picasso ； Sergei Diaghilev ； Ballets Russes ； Pergolesi ； Ballet Music ； Pulcinella ； Commedia dell'arte ； Neo-Classicism

參考文獻

一、外文資料

Charles M. Joseph. Stravinsky’s Ballets. Yale University Press,2011.

Donald Jay Grout. A History of Western Music (Ninth Edition) .New York: W. W. Norton & Company, 2014.

Eric Salzman.Twentieth-Century Music An Intruduction. Prentice Hall/a Division of Simon & Schuster, Englewood Cliffs, NJ.1988.

Eric Walter. Stravinsky The Composer and his Work. University of California Press,1979 (second esition).