《聽，1967》－〈歐樂思－史惟亮檔案〉重返部落影音紀錄

2013年來自德國波昂東亞研究院的「歐樂思—史惟亮檔案」，由歐樂思神父無私贈與臺灣後，為1960年代「民歌採集」運動再添一筆資料。2017年臺師大民族音樂研究所的學生，帶著檔案中的錄音資料返回部落，本文以影像紀錄了該研究歷程，並試圖以紀錄片的手法將其呈現。本文分成兩個部分，第一部分為文獻的探討，透過「民歌採集」運動文獻的爬梳，試圖釐清1960年代學者發起「民歌採集」運動的始末與其時代背景；另一方面則是臺灣原住民主題相關紀錄片發展之概述，從中觀看相似主題之作品，作為製作影片之參考範本。第二部分為影片的製作，在內容方面，從田野調查與採集的訪談內容中，筆者整理出三個面向，作為影片發展的主軸，分別為：「族群歷史記憶」、「文化傳承現況」、「對至親的思念」，欲藉由在地耕耘部落文化的族人傳述，使觀者了解部落歌謠文化的內涵與現況，並有所反思；在技術方面，田野採集的現場未竟事宜，使得後製工作較為困難，此部分筆者試圖運用剪輯軟體final cut pro與聲音編輯軟體pyramix等，進行影像與聲音的修正。

關鍵字

歐樂思－史惟亮檔案；民歌採集運動；田野調查與採集；多媒體影音製作

並列摘要

In 2013, ‘Osterwalder-Shih Wei-Liang Archive’, which was donated by Mr. Alois Osterwalder, from Ostasien-Institut e.V., bring the new documents to the Folksong Collective Movement of 1960s. In 2017, the students of Graduate Institute of Ethnomusicology of National Taiwan Normal University brought the recordings, which from ‘Osterwalder-Shih Wei-Liang Archive’ back to the original tribe. This article recorded the research process by audiovisual film and presented the result by the methods of Documentary Techniques. This article is divided into two parts. First part is the literature discussion about ‘The Folksong Collective Movement’ that tried to clarify the process and background of the movement in 1960s. On the other hand, discuss about the development of documentary that was related to Taiwanese aborigines. Take those genres of documentary works as the reference of presentation film of this article. The second part is the film production. In terms of content, from the field investigation and collection of interview content, the author sum up three aspects as the main theme of film development: ‘Historical Memory of Ethnic Groups’, ‘Status of Cultural Inheritance’ and ‘Missing to Relatives’. In order to let the audience understand the connotation and current situation of the tribal song culture and to reflect on it by the description by the tribal people who work in the tribal culture. In terms of technique of filmmaking, the bad footage took during the fieldwork make the production of film so difficult that the author try to apply Final Cut Pro and Pyramix to adjust the video and audio.