台灣現代文藝電影創作與其政治社會環境(1930~1980s)

文藝電影是一種模仿人類情感再現的創作型態，也是人類相當重要的精神資產，當我們希望認識台灣歷史的時候，我們必然要對於台灣的文創相關產業發展有一定程度的了解。而透過研究台灣的文藝電影隨著不同政權、社會、文化的演變，在影片質感呈現、創作風格、演員選取、文本設計、語言使用，可以看到不同的時代氛圍。日治時期的女性情節劇與辯士文化，代表漢文化與大和文化的角力。國語文藝電影與外省人政治權力的鞏固，以及華僑資本對於臺灣文創產業造成的影響有關係。鄉土文藝電影則隱含本土意識與國民黨威權的拮抗競爭，總之，透過了解台灣的文藝電影演變史，我們可以更加瞭解諸多台灣的意識形態形塑的歷程，這是認識台灣歷史所不可以或缺的一步。

關鍵字

文藝電影；台灣歷史；本土意識；認識台灣

並列摘要

Literary films are artistic creations that imitate and represent human emotions. Such films are also essential emotional assets of human beings. Examining the history of Taiwan entails a specific level of understanding of its cultural and creative industry. Literary films in Taiwan have evolved with changes in politics, society, and culture. Accordingly, various changes in film quality, creation styles, actor selection, script design, and language usage can be observed in such films during different eras. Well-made plays regarding women and orator culture during the Japanese rule in Taiwan represent the conflict between Han Chinese and Japanese culture. Chinese literary films often depict Mainlanders’ attempt to secure political power or the effect of overseas Chinese capital on the cultural and creative industry in Taiwan.Literary films that focus on local culture reflect the confrontation between local Taieanese and the ruling of the Kuomintang of regime.Overall, examining the evolution of Taiwanese literary films enables an in-depth understanding of the processes that have shaped the ideology of Taiwan. To sum up such literary films are indispensable in understanding the history of Taiwan.