林進祐室內樂《想......》之分析研究與自我創作檢討

林進祐教授是臺灣作曲家中涉獵範圍最廣的作曲家代表之一，作品從鋼琴、聲樂小品至管弦樂曲與電影配樂，同時也在教育方面投入大量心力，為學子編寫音感、視奏、鋼琴等教材。林進祐除了擴展自己的作品多元化，也相當重視與文學以及臺灣本土文化的連結，將自身經驗與涵養，寫進作品中。在許多作品刻畫出對臺灣的情感與在地民情，用創新的手法讓聽眾更進一步了解臺灣的音樂。本篇論文透過研究林進祐教授中西合併室內樂《想……》及作曲家的背景，筆者分析其風格型態與創作語法，了解到作曲家創作理念為兼具傳統與現代，使音樂更貼近自身文化，並將此分析研究之心得與概念嘗試實踐於自我創作中。

關鍵字

林進祐；室內樂《想……》；傳統；現代技法

並列摘要

Dr. Chin-Yow Lin is one of the most widely represented composers in Taiwan. His works range from piano and vocal pieces to orchestral music and film soundtracks. He also puts a lot of effort into education to write teaching material of dictation, sight playing, and piano, etc. for students. In addition to expanding the diversity of his works, he also attaches great importance to the connection with literature and Taiwanese local culture. Meanwhile he puts his own experience and cultivation into his works. Many of the works portray the emotions and the customs of Taiwan. He uses innovative methods to let the audiences know more about Taiwanese music. Furthermore,through the study of the chamber work "Thinking..." and the background of composer, the author learns that the creative concept of the composer is combining traditional and modern, so that the music is closer to his own culture. The author tries to put the experience and the concept into self composition.