時空幻化的線性與非線性思維—陸真儀水墨創作論述

本文探討資訊社會下藝術表現與文化風格、社會變動的關係，最後將研究心得與藝術創作連結，建立對應的表現形式，進行個人創作實踐。論文的第一章說明研究的立基點，包括研究動機、內容方向、研究方法。研究的內文可分為兩大部分，第一部分為學理和相關作品的探究，共有三章：第二章探討時空觀念與繪畫空間表現的關係。首先分析西方繪畫從透視到反透視的轉變，思考科學典範轉移、新技術發明和繪畫表現的關係，接下來探討中國繪畫空間表現與其背後觀點，最後將重點放在藝術家如何捕捉潛意識，表達心靈空間。第三章探討當代時空的變化。空間上有都市化、全球化、資訊傳播科技和網際網路三大推力；時間則呈現加速度的運行方式。藝術家在繪畫作品展現出動態感，則反映了人們心靈上的變動。第四章探討資訊社會的人們感知與記憶方式的變化，許多事物的界線已不再清晰，藝術作品呈現出模糊、非線性……等特質。第二部分回歸個人創作實踐，作品以臉譜為主題，以點線為主要形式手法，表達人與外在世界的關係。其中，第五章闡述個人創作理念，包括精神內涵、題材內容、方法概念與表現形式，第六章以三個系列說明作品意涵。第七章為整體論文做總結。

關鍵字

水墨創作；時空；壓縮；碎形幾何；非線性

並列摘要

This paper explores the relationship between artistic expression, cultural styles and social changes in the information society, and finally links research experience with artistic creation, establishes corresponding forms of expression, and conducts the practice of personal creation. The first chapter of the paper explains the foundation of the research, including research motivation, content direction, and research methods. The research text can be divided into two parts. The first part is the exploration of academic theory and related works. There are three chapters in the first part. The second chapter discusses the relationship between the concept of time and space and the expression of painting space. First, we analyze the transformation of Western painting from perspective to anti-perspective, and consider the relationship between scientific paradigm transfer, new technological inventions and painting expression. Then we discuss the spatial expression of Chinese painting and its underlying perspectives, and finally focus on how the artist captures the subconscious and expresses the spiritual space. The third chapter discusses the changes of contemporary time and space. There are three major thrusts in space: urbanization, globalization, information communication technology and the Internet, while time shows an accelerated mode of operation. The artist's display of dynamics in his paintings reflects the changes in people's soul. The fourth chapter discusses the changes in the way people perceive and remember in the information society. The boundaries of many things are no longer clear, and the artistic works show characteristics such as vagueness and nonlinearity. The second part returns to the practice of personal creation. The works use facial makeup as the theme and dots and lines as the main form to express the relationship between people and the external world. Among them, the fifth chapter describes the concept of personal creation, including the spiritual connotation, subject content, method concept and expression form. The sixth chapter explains the meaning of the works in three series. The seventh chapter summarizes the overall thesis.