今不同弊―「後書寫」藝術創作研究

「今不同弊」，取自唐代書法家孫過庭《書譜》：「淳醨一遷，質文三變，馳騖沿革，物理常然。貴能古不乖時，今不同弊。」其在談論：生活習尚一有變動，性質風貌總會有些不同，跟著發展，推陳出新，原是事物的常理，可貴在能學古而不違背時代，有現代感卻沒有時代病。正說明了現今這個時代，如何將所面對的多樣文化注入創作中，並呈現之，是當下藝術家必須面對的課題。本論文以「後書寫」為標題，探討當代藝術與書法間的關係，甚至包含新媒體的運用，藉筆者的創作經驗，在日後運用與了解上能更加延伸，並成熟地發揮在個人創作中，期待未來有更多元廣泛的舞台，呈現各種環境經驗的當代書藝。論述分六個章節說明，第一章以書寫面相出發，分別說明創作動機、目的、方法及範圍。第二章論述以書法而言，東方議題已有諸多學理依據，但當西方藝術的後現代與觀念系統建構至今，筆者特意將書法中的「書寫」概念強調，以檢視並分析當代創作。第三章架構自我的文脈分析，將作品「結果」減弱，強調創作「過程」所能產生的藝術現象，探討「過程與作品」、「展後與文件」、「錄像與訊息」、「科技與視覺」等議題。第四章探討自我創作的四套系統，透過陳述、分析、詮釋等說明。第五章作品主要闡述「現地裱貼」與跨領域方式逐一呈現與說明。第六章多處引用Sherry Turkle的《虛擬化身》，期許自我與書法能面對更多元思考，而觸角的多樣化值得令人期待。

關鍵字

後書寫；當代藝術；現地裱貼；跨領域

並列摘要

“Time's Shifting Styles Without Era Disease” comes from “Shu Pu” by Sun Guoting in Tang Dynasty. It talks about that in accordance with the taste of the times, the style of calligraphy would change. That is the common sense. It is valuable to learn the ancients without violating the times, and there is modernity without era disease. This shows that artists must think how to inject the diverse cultures faced into the creation nowadays. This paper is titled "Post-Calligraphy", which intends to explore the relationship between contemporary art and calligraphy; it even includes the use of new media. Based on my creative experience this research can be applied and understood in the future, which will contribute to the maturity of my personal creation. Looking forward to the future, there will be a wider range of contemporary calligraphy creation. This study is divided into six chapters: Chapter one “Introduction” discusses the motivation, the purpose, the range and the way of creation. Chapter two “Discussion of literature” wants to emphasize the concept of “writing” in calligraphy to examine and analyze contemporary creations. Chapter three “The context of analysis” examines the “writing process” which can be produced of the phenomena. Explore "Processes and Works," "Exhibitions and Documents," "Video and Writing," "Technology and Vision." Chapter four “Creative practice” writes the contents, the form and the method of the author’s works. Chapter five “The statement of the works” delivers the statement of the works. Chapter six “Conclusion” using parts of “Life on The Screen” by Sherry Turkle, explains the author’s self-expectations and the possibilities of contemporary art of calligraphy.