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  • 學位論文

「醫療映像」繪畫創作論述

Creation of the“Healthcare Impressions”

指導教授 : 蘇憲法
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摘要


《醫療映像》繪畫創作的背景是由於現在社會上醫療糾紛層出不窮,醫護之間、醫病之間還有人與人之間的關係,其實有的時候是不被信賴與支持的,因而盼以透過《醫療映像》的創作研究,可以給醫者或醫護工作者一些回饋與思考,如果他(她)曾經在工作當中受傷的或是曾歷經醫療糾紛等事件,得以從繪畫感受到些許溫暖與支持的力量,進而再去回憶、思考當初選擇進入醫療場域工作的理念或熱情。 本文依研究目的,將整體架構分為六章節:第一章說明筆者在面臨疾病與醫療的成長歷程中,對醫護照顧的體驗與感受,加上近年來台灣社會結構的變化,引起了以「醫療映像」的創作動機與目的。第二章以「醫療映像」的理論基礎,探討醫療、疾病與心理之間的關係與影響、寫實主義(Realism)的理念與特質、繪畫與醫療創作的理論之檢閱與整理,並藉由了解早期與當代畫家如何以「醫療」為題作畫。第三章探討「醫療映像」的源起,描述台灣醫療環境之概況,從藝術與治療的角度看待繪畫。第四章將以「醫療映像」為題說明作品中所含之內容與元素,透過何種創作形式與媒材技法傳達。第五章則是筆者「醫療映像」創作的表現與解析,透過作品給予醫病之間、人與人之間一些反思與回饋。第六章為作品結論與建議,並提出筆者對於本創作研究之感受與未來展望。

並列摘要


The idea of “Healthcare Impressions” was inspired by the widespread medical disputes in our society presently. The relationships between the healthcare workers, patients and related supporters sometimes are complicated which may not be supportive and trust to each other. Thus, the “Healthcare Impressions” exhibition attempted to provide some stimulation and feedback for the healthcare workers to think about themselves. For example, if he or she, the healthcare worker, has experienced emotional trauma or medical dispute during the medical treatment, they may feel comfort, warmth, and support through the paintings. Furthermore, they could remember and think about the ideal and passion which led them to the career in healthcare in the beginning. According to the research objective, the thesis structure is divided into six chapters: In the chapter one, the researcher demonstrates the motivation of this thesis by describing the changes of Taiwan social structures recently and her own experience with illness as well as the feelings about the medical caretaking during her lifetime. The second chapter discusses the theoretical basis of “Healthcare Impressions”, such as, the relationship between healthcare, disease and mental health, the concepts and characteristics of Realism, and the literature review of medical art works. After that, the status of current healthcare setting in Taiwan as well as the artistic appreciation of the “therapeutic paintings” is illustrated in chapter three. In chapter four, the contents, elements, materials and techniques which were used in the “Healthcare Impressions” paintings are explained in details. Eventually, the researcher attempts to build up some reflection through her art works and make some conclusions and suggestions about this research in further.

參考文獻


一、中文書目
1.何懷碩,《苦澀的美感》,台北:立緒文化,1998
2.吳介禎,《心靈•醫療•藝術》,台北:藝術家出版,2005
3.林昭賢、黃光男 審定,《藝術概論》,台北:海頓,2000
4.胡永芬等編,《藝術大師世紀畫廊 聖化農民與土地的大師 米勒》,

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