流行音樂演奏者使用個人混音器之體驗研究

流行音樂的舞臺上演奏者為觀眾彈奏演唱，帶動著觀眾情感，卻鮮少人知道演奏者的感受。研究者從流行音樂演唱會場域出發，探討演奏者常用的個人混音器使用體驗，主要研究目的為個人混音器發展過程與核心技術、分析個人混音器應用方式與使用現況及演奏者使用個人混音器之體驗分析，最終提出未來建議。本研究採用使用者體驗研究，並運用蜂巢式體驗模型，以質性方式進行產業相關演奏者與從業人員訪談。從應用現況分析研究結果發現，個人混音器使用於中大型演唱會已成為趨勢；個人混音器的通道數可能將不足；各廠牌操作體驗差異大，對演奏者的影響體驗結果發現，使用個人混音器失去聲音平衡統一性；使用耳機聆聽可能產生與觀眾之間距離感。依據上述結論，本研究提議提供專業教學課程，（一）培養良好使用習慣：改變聆聽習慣、保護耳朵做起，演出中固定個人混音器混響比例，以自我彈奏音量為主；（二）建議開發商發展無線個人監聽混音器的可能性；（三）制訂場館音壓標準，預防演出過大的音壓與震動造成爭議。除舞臺演奏者體驗研究外，眾所皆知，臺上每一位演奏者皆是為了觀眾而來，建議未來可延伸流行音樂場域觀眾研究，以利創造出更多的商業與學術價值。

關鍵字

流行音樂演奏者；演唱會；使用者體驗；個人混音器

並列摘要

The performer plays instruments and sings songs for the audience on the stage of pop music to drive their emotions, but few people know how the performer feels. Starting from the field domain of pop music concerts, the researcher discusses the use experience of personal mixers commonly used by performers. The main purpose of this study is to analyze the development process and core technology of personal mixers, the application mode and current situation of personal mixers, and the experience of personal mixers used by performers, so as to put forward suggestions for the future. This study adopts user experience research and user experience honeycomb and conducts qualitative interviews with industry-related players and practitioners. By analyzing the application status, this study finds that it has become a trend to use personal mixers in medium and large concerts, personal mixers may have an insufficient number of channels, and personal mixers of different factories and brands would lead to different operating experiences. The analysis of the influence on performers shows that the use of personal mixers causes the loss of the sound balance and unity, and listening through headphones may create a sense of distance between users and the audience. Based on the above conclusions, this study proposes to provide professional teaching courses. (1) Good usage habits are developed: Listening habits should be changed to protect ears. Fix the reverberation ratio of personal mixers and focus on the volume of self-playing. (2) Developers are advised to develop the possibility of wireless personal monitor mixers. (3) Sound pressure standards for venues are formulated to prevent disputes caused by excessive sound pressure and vibration during performances. In addition to the research on the experience of stage performers, it is suggested that the research can be extended to the audience in the pop music field domain in the future to create more commercial and academic values since every performer on the stage comes for the audience.