鄧宗揚作品創作探析以《瘋狂玩樂派》中詞曲創作為例

流行音樂產業向來是以「商業」作為考量，許多作品需要衡量其經濟產值最終得已成為傑作，但「文化價值」與「學術研究分析」也是這個產業非常重要的一塊拼圖。透過作品「理性」的學術研討，使整個作品的完整理念可以提供給後人做參考，使產業有更多層面的技術與架構，讓流行音樂的精神更加多采多姿。作為音樂創作者，從小的音樂背景不管是古典音樂科班出身或流行音樂產業應用碩士專班的學習，接觸到非常多經典的作品。在歷史的洪流中，讓研究者深刻的體悟到音樂在不同時期的風格呈現是多麼的浩瀚與偉大，也促使研究者將所學的專長「融合」進作品之中，使古典音樂與流行音樂的結合可以展現出不同的風貌。《瘋狂玩樂派》這張專輯將古典音樂六種樂派各代表的曲目帶入六首歌曲的編曲之中，再透過詞曲創作使古典音樂與流行音樂得以共存，也期望提供實務操作與學術研究的分析來啟發未來的新進，可以有新的視野、新的突破探索出新的技法、風格或其他可能性，創作出更多永垂不朽的作品。

關鍵字

流行音樂；詞曲創作；瘋狂玩樂派；古典音樂

並列摘要

The pop music industry has always taken “business” as its main consideration, many works need to measure their economic output to become masterpieces. However, cultural value and academic research analysis are also important pieces of the puzzle in this industry. Through “rational” academic discussion, younger generation is able to refer the complete concept of the work, therefore diversify the techniques and structure of the industry, creating a more colorful spirit of pop music. As a musician, owing to the regular professional training of classical music at a younger age and the learning in the Continuing Education Master’s Program of Popular Music Studies and Industrial Applications in NTNU, I have come into contact with many classic works. In the torrent of history, I deeply realized how great and boundless the style of music in different periods is, and it also prompted me to fuse the expertise I acquired into my works showing a combination of classical music and pop music that has never been seen before. In the album Crazicism, each song brings representative works of six classical music schools into popular arrangements respectively, and allows classical music and pop music to coexist through the creative development of lyrics and melodies. In expectation of inspiring the bright younger generation, it is hoped that the practical operation and the analysis of academic research carry a brand-new vision and breakthroughs to explore advanced techniques, styles, or further possibilities, creating more masterpieces crowned with eternal glory.