動、靜之間的對話 陳素華繪畫創作論述

「動的藝術」，本創作研究將「動畫藝術」與「平面繪畫」的結合為研究主題。筆者，透過閱讀了解西方美術史的發展、蒐集與西方藝術有關的研究文獻與學理依據，及融合學校多方面有效的學習，吸取不同層面的藝術養分與經驗，再結合筆者逾三十年動畫的專業領域，以繪畫創作為途徑，將畫作建構出完整的創作論述。動畫在全世界以卡通電影或是電視片的形式，受到許多不同年齡層的人們所喜愛，而在西方的繪畫藝術當中，油畫及其他媒材運用，都有其重要的地位受到眾多藝術家們追尋與學習。本創作將西方藝術家透過文獻學理探討，分析研究其創作背景、繪畫意象與表現形式，再將兩個不一樣的藝術創作元素結合，在此「動、靜之間的對話」論文中我將會逐一解釋。另外，現今漫畫、動漫在日本是主流市場，筆者之繪畫表現形式亦跟漫畫有關，所以藉由東、西方動漫藝術家的文獻探討，取其繪畫藝術之精華，並實踐在本創作中。畫作〈跑步中的寶弟〉、〈蝶戀花〉畫面中寶弟狗狗跑步時多出好多隻腳與身後的流線線條，以及鳳蝶身上多出拍動的翅膀與流線，這都是運用動畫的「視覺暫留」原理，讓原本的畫面表現出連續動態與速度感，這樣靜止的畫面就動起來，這是「動的藝術」所呈現出獨特價值與藝術性。

關鍵字

動的藝術；動畫；動漫

並列摘要

The Art of Motion", this creative research combines two artistic topics of "animation" and “graphic" as this research theme, so that two important visual arts forms present unique value and artistry. The author understands the development of Western art history through reading, collects research literature and theoretical bases related to Western art, and integrates the unique personal understanding of art from various school aspects, absorbs different levels of art nutrients, experiences, and combines the author's thirty plus years in the professional field, her painting creation is used as a way to construct complete discourse and unique aesthetic illustration. Animation is loved by people of different ages in the form of cartoons or TV shows all over the world. In Western art of painting, the use of oil paintings and other media has its significant values and status that are pursued by many artists and their learning. In this paper, an analysis of Western artists and their creative background, painting images and expression forms through philosophical research, and then combining two different artistic creation elements. In this thesis "the uninterrupted dialogue between movement and stillness", will explain further in detail. In addition, both manga and anime dominate in the mainstream markets in Japan today, which the expression of the author's paintings is also related to manga. Therefore, through the literature discussion of Eastern and Western animation artists, the essence of their painting art is taken and practiced in this thesis. In the paintings "Running Brotherhood" and "Butterfly’s Love of Flower ", the dog has many extra feet and streamlined lines behind him when running, as well as the butterfly’s extra flapping wings that are streamlined. By using the "visual persistence" principle of animation, the original picture shows continuous dynamics and a sense of speed, so that the still picture moves. This is the unique value and artistry of "animation/moving art".