楊舜評作品發表會(含輔助文件《張許不》：原創作品與註釋)

SHUN-PING YANG COMPOSITION RECITAL(with a supporting paper:" CHANG HSU PU " : AN ORIGINAL COMPOSITION WITH COMMENTARY

楊舜評(Shun-Ping Yang)

指導教授 ： 董昭民

國立交通大學/人文社會學院/音樂研究所/碩士(2009年)

https://doi.org/10.6842/NCTU.2009.00539

摘要

本輔助文件分為兩部份，第一部分為音樂之創作理念、樂思佈局、動機及樂曲分析；第二部份為室內樂曲《張許不》之總譜。室內樂曲《張許不》採單一樂章形式，為長笛、豎笛、古箏、小提琴、中提琴，與大提琴六重奏作品。此曲為紀念筆者已過世的外婆「張許不」所創作之樂曲，並以她的名字為曲名。藉由此樂曲來表達對外婆思念之意，並試圖將音樂創作與外婆的一生相互連結。文字部份分為五個章節，第一章為緒論；第二章講述創作理念；第三章為音樂創作過程的解析；第四章為「音樂幾何化」的創作觀點；第五章為本論文之結語。

關鍵字

室內樂曲

並列摘要

The supporting paper consists of two parts. The first comprises the idea behind the composition, the layout of the musical thoughts, and the motivic and structural analysis. The second consists of the musical score of “Chang Hsu Pu.” The chamber music “Chang Hsu Pu” is a single-movement piece. It is composed for flute, clarinet, guzheng, violin, viola and violoncello. The composition is dedicated to the author's grandmother, who passed away in 2006. It is titled after her name, “Chang Hsu Pu”, to represent the miss from author. The author also tries to link the composition to the grandmother's life. There are five chapters in this thesis: chapter one is a preface. Chapter two introduces the ideas in reference to the composition. Chapter three is the detailed description of the music, including composing motivation, process, and techniques. Chapter four describes the music visualization. Chapter five is the conclusion.

並列關鍵字

chamber music

參考文獻

Classical net “Giacinto Scelsi.“ (accessed March 22, 2009).

一、中文書目

吳榮順。《追尋雪域中神聖與世俗的聲音：西藏音樂》。台北：國立台北藝術大學，2007。

許鐘榮。《古典音樂400年-國民岳派的舵手》。台北：錦繡出版事業，2000。

陳英德、張彌彌。《新寫實主義藝術家：克萊因》。台北：藝術家出版社，2008。