《模》：原創管絃樂作品與註釋

本論文分為文字及樂譜兩部份，第一部論述音樂創作理念、樂思布局、動機及樂曲介紹分析；第二部分為管弦樂曲《模》之總譜。《模》為單一樂章形式之管弦樂曲。全曲藉由「捏塑」的想法成型，由素材及形式的解構，重新組織，塑造音樂更多之可能性。本論文以個人音樂語法試驗及圖形與管弦樂曲空間之配置為主要討論議題。論文文字部份分為五個章節：第一章為緒論；第二章為創作動機；第三章為《模》之樂曲理念基本闡述，以樂曲概念、音樂與空間的關係及曲體與聲音的塑型概念與在空間中之運用與實例；第四章為說明模組在音高、節奏的運用，說明模組概念的使用；第五章為本論文之結語。

關鍵字

管絃樂曲；模組

並列摘要

The thesis comprises of two sections. The first section contains the idea behind the composition, the layout of the musical thoughts, and the motivic and structural analysis. The second section includes the musical score of “Mold”. “Mold” is a single-movement piece for orchestral composition. The composition relies entirely on “ mold”, deconstruct the material and the form, organize, make more possibilities in music. The thesis is centered on the investigation of personal music language against the music geometry and the acoustic orchestral space. There are five chapters for the thesis. Chapter one is the introduction. Chapter two discusses the composition incentives. Chapter three discusses the idea behind “Mold”. Introduces the ideas to the composition, the relationship between music and space, the concept of musical form and sound modeling and in space application and the instance. Chapter four introduces the technique of module in pitch and rhythm. Chapter five is the conclusion.

並列關鍵字

Orchestra ； Module

參考文獻

布倫斯－米佛。《符號與象徵：圖解世界的秘密》。李時芬、林淑媚譯。台北：時報文化出版企業股份有限公司，2009。

Solomos, Makis .“Cellular Automata In Xenakis’ Music. Theory And Practice.”Paper presented at of the International Symposium Iannis Xenakis, Athen, Greece, May, 2005.

一、中文書目