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摘要


《走走,停停》是ㄧ創作繪本,闡述每個人都有屬於自己童年的回憶,透過作者本身的觀點與經驗,勾勒描述這些在生活中曾經發生的美好與感動,以第三人稱的角度,看小朋友在隨意遊玩走動中,建立連結人與人、人與地方環境所產生的情感為主要之敘事主軸。將稍縱即逝的畫面與難以捉摸的形像,經由回溯來蒐集、拼湊一幕幕的彩色片段,以繪本為創作形式,運用生活經驗、場景相關圖像之建構,以寫實與想像融合的風格表現,將時間與空間的動態重疊在圖面上。作者藉由反思過去與今日之時光異動進行創作,期待觀者也能從作品中回想自身與地方記憶的關係。

關鍵字

回憶 地景 繪本

並列摘要


“Go Stop And Go” is an illustration book. Everyone has an unique childhood. Through her perspective, the author illustrated the beautiful and touching moments in her life. Using the third person point of view, the author sees children’s emotion as a narrative establishing links with people and place through playing. By retrospective, the author collected fragments of memory and reconstructed them into colorful scenes. The author has applied graphic that are related to the life experiences and scenes. In this illustration book, time and space are overlapped dynamically in each pictures, each combines reality and imagination. The author hopes the readers can think about their own memories by reflecting upon the transition of their time and space in life.

並列關鍵字

memory landscape illustration

參考文獻


化事業股份有限公司。
8.廖純慶(2007)總編輯。《dpi流行設計雜誌》vol.103。台北:漢生科技有限公司。
13.顏晃正(2011)。《「隨想.我畫」圖文創作》。國立交通大學碩博士論文,未出版,新竹。
中文參考文獻
1.余鳳高(2005)。《插圖文化史》。香港:中華書局有限公司。

延伸閱讀


  • 鄭世璋(2010)。行在其間新使者(116),40-43。https://doi.org/10.29949/TNM.201002.0012
  • 崔薏萍(1986)。亦步亦趨師友月刊(231),43-43。https://doi.org/10.6437/EM.198609.0020
  • 陳正熙(2011)。走過,為何痕跡不留?PAR表演藝術雜誌(221),82-82。https://doi.org/10.29527/PAR.201105.0033
  • 陳怡靜、朱秀蓮(2022)。I Won't Let Go of Anyone, You Can Do It志為護理-慈濟護理雜誌21(6),48-51。https://www.airitilibrary.com/Article/Detail?DocID=16831624-N202303180008-00012
  • 景鴻鑫(1997)。Time to Take off科技博物1(4),122-125。https://www.airitilibrary.com/Article/Detail?DocID=16841220-199707-1-4-122-125-a

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