焦慮實相：從再現到反身

焦慮作為人類原初的情緒之一，隨時都在影響人類的行為模式及其產物。將建築視為焦慮實相的再現，是試圖揭開理性思維之下，從個體到建築設計者所面對的各式焦慮情境。直視建築中的焦慮，理解人為逃避非理性情緒而產生的各式因應機轉，方能理解焦慮如何左右人的思維、進而影響其後果。本論文將焦慮實相視為一種體系的光譜，從「再現」他者焦慮的事實，一路推展至「反身」自我焦慮的經驗，在「知識」與「處理知識方法」之間來回辯證。從探討焦慮的發生，理解建築成為一種緩衝或轉移焦慮的工具；當建築本身成為促發焦慮的情境，建築人試圖消解甚至迴避問題的取徑；最後討論建築的預測性特質，使其無法擺脫焦慮宿命。於建築中發生焦慮的恆常性，使個體理解逃避或忽視無助於焦慮的消解；反之，焦慮作為一種提示，協助建築設計者以更幽微、更細緻的視角，將敏感的能量再現於建築之上。

關鍵字

焦慮；實相；因應機轉；時間性；預測

並列摘要

As one of primitive emotions of homo sapiens ,anxiety constantly influences how human beings behave as well as their products. To consider architecture as a representation of anxiety is to unveil various anxious scenarios faced by individuals and architects from the cover of rationality. Facing up the anxiety within architectural fields helps one to understand different coping systems for the sake of escaping from irrational feelings, and further to comprehend how anxiety affects one's thoughts and then its consequences. In this thesis, the researcher considers the reality of anxiety as an episteme with spectrum: from the representation of the objective facts of users' anxiety, to the reflection of the subjective experiences of architects' anxiety, aiming to build a dialectic approach between "knowledge" and "ways of doing knowledge." Through investigating the ontogeny of anxiety, architecture is used as a device of buffer or displacement against anxiety; when architecture itself becomes the situation triggering anxiety, architects tend to objectify or even deny the very fact. Lastly, the discussion of the predictive nature of architecture makes it obvious that architecture is destined to be anxious. The constantness of anxiety within architectural field makes one understand that it is no use dissolving the feeling with repression or neglect. On the contrary, anxiety as a hint is to assist architects to use a more subtle and delicate perspective to represent one's sensitivity onto architecture.