摘要
摘 要 在台灣文學中，林央敏《胭脂淚》與《菩提相思經》是相當特別的姊妹作。二部作品不僅在內容上互為表裡，一本為台語史詩、另一本卻近似於小說，在台灣文學史中這種情況相當特殊。林央敏《胭脂淚》及《菩提相思經》的內容，在愛情故事中多了台灣歷史的大敘事，再加上別出心裁的神怪書寫，相當值得研究。 本文以林央敏作品《胭脂淚》及《菩提相思經》為研究對象，全文共分為五章，第一章為緒論，說明研究動機佮目的，文獻回顧及分析探討，研究方法佮相關概念及台語文學發展背景。第二章探討林央敏的生平與文學創作歷程，第三章從台灣歷史的想像建構，探討清領時期地方械鬥造成家族世仇緣由，日治時代青年的意義與日治時期男女自由戀愛的現代意涵，傳統與現代社會，新時代的引進與舊傳統間所造成的衝突性，以及日治時期的反抗事件。第四章革命運動者對於祖國認同的幻滅，以及對於外來殖民政權禁語政策的反抗，希望藉由未成功的無名戰士的幽靈控訴，回歸到反抗身分的認同，並從自我體認中得到反思與癒合。
並列摘要
Abstract Yang-Min Lin’s collection of poetry-The Rouged Tears is twined with his composition -Yearning for Bodhi. Though the subjects in these two pieces of work differed from each other-Taiwanese epic and novel, they did shared the same theme which is particular in Taiwan literature history. According to the contents, Yang-Min Lin combined love story with Taiwanese History and Grotesque Literature. This thesis aim to study The Rouged Tears and Yearning for Bodhi , and is divided into five chapters: the Introduction clarified study motive, reference review and analysis with related concepts and the background information of Taiwanese Literature; then, it covers the personal information of Yang-Min Lin ; the third chapter discusses the conflicts of family feud in the Qing Dynasty ruled period, the modernity and the revolt in Japanese occupied period based on the imagined construction of Taiwanese History; as for the last two chapters , they reveal the identification of motherland vanished into thin air and the rebel against language policy and the conclusion which hopes to draw back introspection from self-identification through the spirit of unsuccessful warrior.